Album A Day: Wicked: Original Broadway Cast Recording

I'm happy to report that work on the new site is very nearly complete, and I'm now able to show you what it looks like right now. The site is still very much in its early stages, and until I get my computer back tomorrow I'm still limited in what I can post, but it's up and alive and ready for you to see. This site is going to stay active for at least another week or two while I get some other business in order, but checking the new page as well, since I'll slowly be introducing more material there and less here.

The NEW ¡Viva La Mainstream!

Feel free to leave any and all feedback you have. Now, on to today's album.

When people browse my CD and mp3 collection and come across my numerous Broadway and film soundtracks, they tend to respond with a confused look of “Dude…really?“. The answer is yes. Really. A Broadway soundtrack, when done properly, can be as enjoyable and great to listen to as any other album. People seem to want to relegate soundtracks to the scrap heap for reasons that never made sense to me, but then again, I’m a theatre major.

Even without the stage performance from whence it came, the soundtrack to Wicked stands out as a wonderful example of pop music that holds its own against the Taylor Swift’s and Britney Spears’s of “real” pop. It’s got hooks that latch on to your brain for hours, harmonies that never let up, and in terms of emotional punch…folks, it’s a friggin’ Broadway musical.

If you’ve never touched a Broadway soundtrack before, it might strike you as overly cheesy and vomit-inducing. That’s understandable. In that case, ease yourself in with one of the other big shows from the last two decades (Rent, for all its flaws, is a good jumping-off point). If you’re like me and can appreciate Broadway musicals alongside your rock n’ roll, then give this a chance. Just have something more catchy on standby so you don’t get caught humming “Defying Gravity” in public.

==TJ==

Biggest Letdowns of 2007 (Some of them Anyway)

2007 had some great moments, which I talked about here. Sadly, there were some low points too. In no particular order, some of the things that sucked about the year that's nearly gone past.

Amy Lee becomes the female Axl Rose
The Evanescence frontwoman probably won't be getting Christmas presents from any of her original bandmates. Earlier this year she kicked out Rocky Gray and John LeCompt, the remaining original members of the band (Founding guitarist Ben Moody quit in 2003, more on him later). By most accounts, Amy Lee seems to kick out any member of the band that dares suggest she's wrong about what the band should be. Based on the war of words that went on after the fact (Lee more or less accused Gray and LeCompt of trying to destroy "her baby", and LeCompt joked about how he hoped we would become lyrical fodder for Lee), not much love lost here, except from the fans that miss what was once a good band becoming the Amy Lee show. As much as I love Lee, she can't carry that band on her back. The Open Door was a disappointment mostly because she released the shittiest songs as singles after "Call Me When You're Sober". At this point all we can do is hope the band quits while they're ahead, or that the band gets a backbone again.

Evanescence - Call Me When You're Sober [iTunes]

(As for Ben Moody, he's spent his time writing and producing for the likes of Lindsay Lohan and Avril Lavigne. A recent report also notes he collaborated with Celine Dion on her most recent album. On the Bill Simmons Vengeance Scale, I'd say this is about a 0.7 out of 10. )

Jay-Z pulls a fast one on iTunes, revokes American Gangster
It was the most the third most anticipated rap album of the year, and had racked up millions of pre-orders on iTunes by the time American Gangster, the new Jay-Z album inspired by the movie was due to be released. But then at the last minute, Hova pulls it from iTunes, citing his desire for the album to be heard as one unit, not song-by-song. As a result all the people who preordered the album got screwed. Smooth...reaalll smooth.

Having said that, I heard a couple tracks off the album, and am duly impressed.

Jay-Z - Roc Boys (And The Winner Is...) [AmazonMP3]

Matchbox 20's "New Album"
A 6-song EP and a greatest hits collection that even the most casual fans have does not an album make, guys. Get back in the studio and give me more.

Matchbox 20 - How Far We've Come [iTunes]

Live Earth
Huge dud. But then again, pretty much what you'd expect from a concert organized by Al Gore, no? Even the Foo Fighters sounded boring in this one. And that Police/Kanye/John Mayer performance? You wanna tell me that wasn't the most scripted thing ever? Points for effort and trying to be socially conscious, but no-good on the execution.

Buy the album on iTunes if you must (can't even give you an mp3 of Linkin Park's performance)

Legally Blonde on Broadway
OK, I'll admit, the movie didn't suck nearly as much as I thought it would. This is more a rant about Broadway's apparent decision to join Hollywood in not coming up with original ideas. Between this, Young Frankenstein, and the slew of Disney musicals, the theatre is almost as bad as TV and film at this point.

...and this is the industry I'm gonna go into...*sigh*

High School Musical 2
A sin against God, man, and everything I did for four years between September 2002 and May 2006.

50 Cent hasn't retired yet...
Despite his album Curtis getting soundly beaten by Kanye West. I guess a rapper's promise doesn't mean as much as it once did. Does anyone else miss the days when a rapper would promise to pop some caps, and then shortly thereafter the news would get out about another shooting?

50 Cent - Ayo Technology [iTunes]

Radiohead release In Rainbows, get verbal blowjob from the blogosphere
I'll admit, I was among those who praised Radiohead's ingenuity when they self-released their new album. I also think I was one of the first to dismiss the music itself as trippy, directionless and overrated. Meanwhile nearly every other blog has added In Rainbows to their Best of 07 list. Just 'cause you do something ballsy doesn't mean you're automatically the best.

I think that's all I've got. The Best Songs of 2007 list will be arriving shortly.

On a random note, I had the strangest urge to listen to the Red Hot Chili Peppers earlier today. There was no reason for it whatsoever, but I'm blasting the Greatest Hits CD now, and thought I'd share that fact.

Red Hot Chili Peppers - Fortune Faded [iTunes]

==TJ==

Jimmy Eat World's New Album a Ray of Sunshine

Following up my last entry; I just put in my order for the download of Radiohead's In Rainbows. I ended up paying 2.95 pounds, which is about 6 bucks. The download becomes available on Wednesday, and I'll try to have an update on it by week's end.

As promised, I played through Jimmy Eat World's Chase This Light over the past few days. Each of the last two full length Jimmy albums have taken several spins before I truly appreciate them. On both Jimmy Eat World (also known to most fans as Bleed American) and Futures, I'd hear some tracks that caught my ear and made me bounce around as I heard them, but then other tracks that sounded too tired and mellow and didn't really fit. As for Chase This Light, I've only played through it twice and I'm already on my way to loving it.

Jim Adkins and company open fire with the fast-paced, anthemic first single "Big Casino". From there it's 10 more trakcs showcasing what Jimmy Eat World has done best for nearly 10 years. There's the bouncy punk rock of "Electable (Give it Up)", the smoother, acoustic musings on the standout title track, and the upbeat head-bobbers of "Feeling Lucky" and the memorable closer "Dizzy". The slightly pretentious attempts at being long-winded and moody are gone on this album, and in its place is a rapid-fire, enjoyable 40 minutes of that grey area where punk, rock, and alternative converge.

I've always felt that the term 'emo' was misused when describing Jimmy Eat World. There's nothing overly brooding or self-loathing on Chase This Light. Quite the opposite; from "Big Casino"'s stellar leadoff the album is a celebration of friends, love, and everything life has to offer. And in a time when alt. rock is riddled with moody, power-chord driven lunkheads (See: Three Days Grace, Seether), Chase This Light is a breath of fresh air, and at the risk of typing a horrendous pun, a Vegas-sized neon light worth getting your hands on.
Ruling on the Field: 8.5/10
Highlight Reel: Big Casino, Chase This Light

In a slightly less wordy review, I downloaded the soundtrack to the musical Spring Awakening. If you haven't heard of it, it's written by Duncan Sheik, the guy who did that song "Barely Breathing" many years ago. It's got some definite Broadway-esque leanings to it, moreso than Rent but it's more pop-oriented than Wicked and a hell of a lot of fun. Even if you aren't a huge musical fan, give this one a shot before the inevitable movie comes out.
Ruling on the Field: 8/10

That's it. Remember to tune into radio.arcadia.edu tomorrow at 4 for the premiere of the Viva La Mainstream radio broadcast (bear in mind that due to some technical difficulties, you will only hear music from one speaker).

==TJ==