Burning On, Just Like A Match You Strike To Incinerate...

The right combination of location, people, and emotion can alter the meaning of a song, and the effect that song has on the listener; for example, anyone who was there the first time Nirvana played "Smells Like Teen Spirit" live would have a different reaction to it than the person who randomly hears it come across the radio. And then there are the lovers who hear "their song" and remember fond memories. And for some a song can just bring back memories of being with friends, having no cares in the world, and just enjoying life. You wouldn't expect My Chemical Romance to bring about such enjoyable thoughts, but again, with the right people in the right place, it can happen.

Rewind to several summers ago, while I was still in my high school years. I'm with my friend Kevin, in his room, wasting time like usual. Also like usual, we were talking about music. There was a time when Kevin and I could hang out for hours on end and all we'd talk about was what music we were into that week, what we were eager to hear, and what we wish would just go away. The conversation turns to My Chemical Romance, who at this point were just beginning their ascent to stardom, with "Helena" rising the video charts. I had just picked up Three Cheers for Sweet Revenge, while Kevin has been raving about it for a few weeks now. As soon as I bring up the topic, Kevin leaps up and puts the album into his stereo (whose volume is generally cranked up to 9 or 10). As "Helena" comes blasting through the speakers, Kevin and I are suddenly rock stars. Kevin does the best/worst air guitar he can, while he tosses me an empty Snapple bottle as I leap up from the imaginary drum kit in front of his bed and assume the role of a wannabe Gerard Way. The track (and us) barrels through two verses and choruses before we hit the bridge, a small breather before the final push to the end of the song. On the final line in the bridge (Will we meet again/When both our cars collide?) do our best 80s-rockstar jump in the air and finish out the track in a manner worthy of an unintentionally funny YouTube video.

Neither of us realized it at that point, but we caught lightning in a bottle during those 3 minutes. In various forms with various songs with various people, I've tried to recreate that experience, return to that feeling of raw energy flowing through the room, but it never came out quite the same. The closest I've come was in the radio station this past spring, rocking out to Sum 41's "Fat Lip" for passersby to see and gaze at in confused amazement. Perhaps it's for the better that it's never been perfectly recreated; some things are best when they are unique. It just makes me wonder if artists realize what they're doing when they do it. Did Bob Dylan intend for "Like A Rolling Stone" to become an entire generation's mantra? Did Led Zeppelin know that "Stairway to Heaven" would become one of the most played songs on the radio 30 years later? Probably not. But it does show how circumstance can alter the course of a song's meaning.

My Chemical Romance - Helena

==TJ==

Can You Cover Up These Eyes?

Apologies on the 48 hours without updating. But this is a good one, I promise.

So AOL's music branch has started a project where they bring in current rock bands and have them do stripped-down covers of songs/artists that influenced them. It's actually a pretty good idea. The best example by far is AFI doing David Bowie's "Ziggy Stardust":



(Video may not work on Firefox. If so, here's the link. I'm gonna try to upload an mp3 of it in the near future)

They have other covers from bands like Hellogoodbye (Frank Sinatra), 30 Seconds to Mars (The Police), and Rise Against (Buffalo Springfield). So that got me wondering about other bands and what covers I'd like to see them do. Here are 5 of my picks.

Bright Eyes - Like A Rolling Stone (Bob Dylan): A lot of people say artists like Dylan or The Beatles are untouchable and that their work is so perfect it shouldn't be redone by anyone. I disagree. No artist has reached such an echelon. As proof of how a cover can be done right, go youtube Jay-Z, Linkin Park and Paul McCartney's performance of "Numb/Encore/Yesterday" from the 2006 Grammys. Conor Oberst has already drawn Dylan comparisons, and the thought of him hearing him wail on the chorus to one of the greatest songs of the '60s makes me giddy. Odds of this one happening are slim, but it's still one a great musical fantasy of mine.

The Killers - Live and Let Die (Paul McCartney/Wings): I don't know if its The Killers' '80s revival sound, or the fact that the opening lyrics are "When You Were Young..." (also the name of a Killers hit), but I think this song is in Brandon Flowers's wheelhouse. It's got a perfect mix of bravado and campiness, and its totally not impossible to see The Killers try to pull it off in the near future. I'm dead serious here. Can I please get someone at Island Records on this?

Foo Fighters - Carry On Wayward Son (Kansas): Dave Grohl and co. are already known to do this one live from time to time. Since Grohl has already said that the chances of covering anything from Nirvana are slim, perhaps they could do a studio version of this one just for kicks. Ignoring the Foo's lack of a keyboardist, I think this one has some real potential. Foo Fighters have proven they can do the big arena rock-style tracks, I want to see them go all the way with it.

Godsmack - Nothing Else Matters (Metallica): We all know Godsmack can do the 3-minute, balls-to-the-wall rock, but the closest they've come to expanding was "Serenity", which was a solid track to end the Faceless album, and The Other Side EP, which had little to offer since they ignored it after that. Sully Erna has the voice to pull off the soft end of the Metallica hit, and I think trying to expand on the softer edge of their range might yield something pretty cool.

Go Your Own Way (Fleetwood Mac): I haven't come up with who I want doing this one, but there are a couple candidates, and this is definitely one that could turn into a hit for someone if done right. I can see The Fray doing this one (they've got the vocal harmony to do it), or even the Barenaked Ladies (though it might be too serious for them nowadays), or perhaps give it to 30 Seconds to Mars (for a much angstier take on it). But I think The Fray have the best shot of a hit with this one.

That's my list. If you read this blog, please comment and let me know. It'll make me feel better and give my ego that tiny little boost.

==TJ==