Showing posts with label Foo Fighters. Show all posts
Showing posts with label Foo Fighters. Show all posts

Tuesday, August 12, 2008

Foo Fighters Show The Folks at Virgin Fest What's What

Let's all be real here. The Foo Fighters were the big money prize for me at Virgin Festival. Nothing short of getting shot in the kidney could've kept me from seeing the Foo Fighters, and seeing them as up close as humanly possible. I managed to get about a dozen rows from the barricade before the mass of people got too much to handle, but it was a prime spot nonetheless (to the guy that was next to me in the "Maryland Fucking Terrapins" T-Shirt; rock on, dude.)

The Foos took the stage a fashionable 5-10 minutes late, mostly due to roadies taking one last check of the stage (compared to other bands later in the fest, the Foos were actually quite punctual). The set was more or less a slightly abbreviated version of what they've been doing on the recent tour, with an acoustic set sandwiched between huge rock and roll openings and closers. The band played their first five tracks, an epic collection of their hits from this decade nonstop, with Taylor Hawkins counting off the next track as the final chords rang out. Needless to say the energy was ridiculously high, and despite a voice that was still recovering from the strains of a long tour, Dave Grohl kept up with the fans, even challenging the crowd to tell him when to call it a night.

The acoustic set, a new tradition picked up from 2006's Afoostic tour, was a bit shorter than usual, including new mainstays "Skin and Bones" and the Nirvana B-Side "Marigold", but left out stuff from the "Not So Loud" disc of In Your Honor and other favorites. If there's any bummer from the evening, it's the lack of "Big Me". Listen to the Skin and Bones live version below and you'll see what I mean.

Foo Fighters - Big Me (Live) [iTunes]

Dave Grohl showed why he's the most likable guy in rock and roll as he introduced the band, between the (apparently abbreviated, I'm told) stage banter between he and Taylor Hawkins and the introduction of the rest of the band, right down to threatening to take away touring percussionist Drew "playing all the stuff you did in 3rd grade" Hester's cell phone if he didn't give the crowd "a fucking triangle solo". Hester obliged. But everyone knew Dave Grohl was a classy guy. The true surprise came from Oliver Taylor Hawkins, between the incomprehensibly epic drum solo during "Stacked Actors", during which the rest of the band went to get a drink, singing lead vocals on my personal favorite "Cold Day In The Sun" and the aforementioned stage banter, all I can say is Oliver Taylor Hawkins (the crowd started chanting Oliver when we found out that was his real name) FTMF'NW*.



*For The Mother F'N Win



The surprises came in the closing tracks. For as long as I've known, the Foos have used "Everlong" to close out a show. Not so much here. "Everlong" closed out, and up came the lights and sounds for "Monkey Wrench", a track I didn't think got played much anymore. The evening of brilliant, balls-out rock and roll came an end as Dave Grohl asked the crowd, "You're not done yet? Don't you people have work tomorrow? No? How about church? Yeah, don't lie now...", then proceeding to scream the opener to "Best Of You" to thunderous cheers.

I've only mentioned a handful of great moments from this 105-minute set. Everything you could want from a rock and roll show, the Foo Fighters gave generously. I've waited nearly a year and a half to see the Foos live, and now that I have, I just hope its not another year and a half before they come around again.

A set list and pictures are below. Props to JCardinal18 for the pics.

The Foo Fighters @ Virgin Festival August 9th, 2008
The Pretender
Times Like These
No Way Back
Cheer Up Boys, Your Makeup Is Running
Young Man's Blues (Who cover)
Long Road To Ruin
Breakout
Stacked Actors [massive drum solo by Taylor Hawkins]

=acoustic set=
Skin and Bones
Marigold [Nirvana B-Side]
My Hero
=end acoustic=

Cold Day In The Sun [as sung by Hawkins]
Everlong
Monkey Wrench
All My Life
Best Of You




==TJ==

Friday, July 18, 2008

The Who Get Their Due At VH1's Rock Honors

Last night VH1 aired the newest installment of it's Rock Honors series, in which bands paid tribute to The Who. Said bands included the Foo Fighters (showing a bit of class allowing Supergrass frontman Gaz Coombes to fill in for the temporarily vocally impaired Dave Grohl), Pearl Jam, Tenacious D and the Flaming Lips. Video from performances are below, and MP3s will be coming soon.

Pearl Jam - Love Reign O'er Me
<a href="www.vh1.com" target="_blank">Pearl Jam - Love Reign O'er Me Tribute Live From Rock Honors</a>

Foo Fighters - Bargain
<a href="www.vh1.com" target="_blank">Foo Fighters - Bargain Tribute Live From Rock Honors</a>

Tenacious D - Squeeze Box
<a href="www.vh1.com" target="_blank">Tenacious D - Squeeze Box Tribute Live From Rock Honors</a>

The Who - Baba O'Riley
<a href="www.vh1.com" target="_blank">The Who -Baba O'Riley Live from Rock Honors</a>

That's all. Back later.

Friday, March 21, 2008

Making Up For A Week's Absence

Apologies for the absence...crazy week with little time for blogging. Things I've seen/heard in the last few weeks that are worth noting:

-Jack White's other band, The Raconteurs, are pulling a maneuver vaguely similar to the likes of NIN or Radiohead...except with less "Fuck You" toward the music industry. The Raconteurs are rushing their newly finished album Consolers of the Lonely to stores next Tuesday, bypassing the usual period of releasing a track to the radio and otherwise doing the press circuit. White and Co. are saying this is how they plan to plug up leaks and get music directly to the fans first. Cynics (myself included) claim this is more like critic-proofing. Looks to me like Jack White is angry that Thom Yorke beat him to the creative punch. Memo to Mr. White: "innovative" and "trendy" do not always translate to "good". It's OK to just do something the normal way once in awhile. No one will accuse you of "selling out" or whatever.

Idolator also reported that iTunes accidentally leaked the album a few days early. They've since corrected the mistake, but apparently a number of customers do have the album right now. Given how apeshit Jack White went when a Chicago DJ got her hands on Icky Thump two weeks early and played a couple songs on the air, I don't want to work at Apple's complaint line right now.

-Random thought: What would happen if the band Cake covered "Low"? Would it not be the funniest crossover cover since Alanis did "My Humps"? Someone make this happen. Now.

-In its final issue, Harp magazine ran a cover story on Dave Grohl, in which he discussed he ideas for what he'd do if he were elected president. If Grohl seriously runs for president, I'd have no problem voting Independent. Read the article here

Foo Fighters - My Hero [iTunes]

-I'm reviving the radio show (again). From now till early May, you can catch Viva La Mainstream on the radio at radio.arcadia.edu on Fridays from 4-5PM. Listen in, it should be fun.

-I've got reviews for the following things coming next week, I promise:
  • Panic at the Disco - Pretty. Odd. (out Tuesday, leaked earlier this week)
  • Secondhand Serenade - A Twist in my Story
  • Nine Inch Nails - Ghosts I-IV
  • The Complete Radiohead Discography
Plus a Weekend WTF tomorrow. Till then, have a good night.

Random Song Pick of the Day: The Toadies - Possum Kingdom [iTunes]
(also promising more MP3s next week)

==TJ==

Sunday, February 10, 2008

2008 Grammys Diary: What is Box Happening??

About to turn on the TV for the Grammy pregame stuff before kicking it to the actual event. I didn't watch last year, mostly cause I thought all the nominees were crap, except for the Red Hot Chili Peppers, who got shut out. Not really sure if I can predict anything in this year's set, but I know who I like, and I know who I'll spit blood at if they win (Looking at you, Feist and Amy Winehouse). And with that, I've got enough snacks to induce a heart attack, my roommate Sean is here to assist, there's no work to be done for the next several hours...I think it's time we get started.

7:27: turn on CBS to find...Katie Couric interviewing Hillary Clinton. Well that sucks. Sean proceeds to see if we get E! on campus...only to get distracted by some garbage on NBC.

7:30: just scrambled through the channels and went digging for a channel listing, and from the looks of it, we don't get E! at Arcadia...so odds of pregame are looking kinda slim. That's a pain in the ass. Be back when the show itself starts.

7:35: Bingo. CBS is streaming some live stuff on their website...this might get hairy, but let's give it a shot. Kevin Frazier and some nameless girl are talking about the postgame parties and something that Akon will be doing afterward. that might or might not involve fighting.

7:37: Interviewing Taylor Swift now, nominated for Best New Artist. And apparently she's only 18, so I don't need to worry about the fact that I don't care about who she is. But she just said she likes the Foo Fighters and Kanye...might need to download a track a bit later.

7:39: Stream just went dark. F***ing internet...

7:40: Stream comes back in time for commericals. Just as well, the red carpet folks seem worse than average, and the odds of an interview with someone decent doesn't look too good, given that we're 19 minutes out.

7:41: CBS scored the rights to Dexter apparently, and for some reason it looks like they're gonna try to tie it in to CSI. Don't ask me, I just like the music.

7:42: Obligatory montage of people including John Legend, Christina Aguilera (I think), and for some reason our lovely people feel as though Evander Holyfield is worth talking to. But before he can talk to, our other set of interviewers interject 'cause they've got Seal...and the stream goes dead. Comes back, and Seal's being a glorified ad for who's performing. Rumor has it that Michael Jackson is in attendance...perhaps a performance? Do we really want this to happen?

7:45: Seal talking about wife Heidi Klum and her singing and a battle with laryngitis (as if anyone watching gives a damn about how she sings). Stream dies.

7:46: Sean and I talk about the rumored Michael Jackson performance. We also note that neither of us have seen him perform during our lifetime. Neither of us know if this is a good or bad thing.

Sean: "I guess that's the one good thing about Britney Spears being in the news all the time; Michael Jackson's out of it"

7:50: The Mayor of LA just talked to one of the guys, just in time to drop a few names and close out the pregame show. Stream's being funky...and the last thing we get is the signoff. Guess I'll be back in 10 when the show starts for real.

The good news is now I'm not bouncing between two Firefox windows to try to see what's happening. CBS remains intent on showing the tail end of 60 Minutes, since Mickey Rooney probably has something to rant about that the world must hear, I guess.

7:53: turning around so I can see the action for real. Grammy commercial just aired. When did we name him "The Sensational Kanye West"??

7:55: Mickey Rooney is in a sports store buying Giants and/or Pats gear (the tape was recorded before the Super Bowl). THIS is what they're not giving me Grammy pregame for...wow...

7:56: Apparently Rooney went to the game too...but dammit if he didn't look bored as all hell. His closing thought? The Patriots should say they're from Boston. Truly Pulitzer-worthy journalism once again.

7:58: Back to back ads for CSI:Miami and New York...can we get a trifecta?

Nope. Without a Trace instead. If you didn't guess, I'm watching CBS right now.

7:59: During the credits for 60 Minutes they show an ad for Jericho. If you never watched the show, go rent the 1st season...it's incredible. So happy that it got renewed for 7 more episodes. Beats the cliffhanger the show was supposed to end on.

As I go back and fix a typo let me preface the rest of this diary by saying I'm not looking at the screen (I have a desktop so I can't see that and the TV...sue me). So please forgive any screwups, I'm trying to keep things clean though.

8:02: We have a start. How should the 50th Grammy Awards start? The same way every award show starts: a montage of previous Grammy moments. Or maybe just one clip and in comes Alicia Keys singing with a old video of Frank Sinatra. Don't know how I feel about this. We have one of our nominees singing with a video of a legend?

8:04: Keys is singing with the old video of Sinatra, but there's a full orchestra playing live. WTF??!! What kind of a slap in the face is this to the legendary musicians who are still alive??

8:06: A pan across the crowd shows us Patton Oswalt (according to Sean) and Yoko Ono. Alicia Keys welcomes us with another obligatory speech about how wonderful everything is. "We look forward towards the future...Here's to another 50 years". The RIAA just spit blood a little bit.

8:08: Carrie Underwood gets things started with a Stomp influenced version "Before He Cheats". Game on! Sean scoffs, but I'm sold. Not a huge fan of Underwood...but it's friggin' STOMP!!!

8:10: Sean still not a fan, but he likes the Stomp. Keep in mind Sean is an indie fanatic. Underwood herself is a bit static right now given what's happening behind her, but it's a network awards show, what can you expect?

8:11: "Before He Cheats" goes into its final bars...and we have the first performance of the night worth bootlegging.

8:11: Apparently they already named some of these awards as Prince is announced as a winner. He announces the Female R&B nominees. No song is particularly impressive to me, but I can't stand "No One".

8:12: But of course it wins. Not before Prince makes a failed attempt at a joke. AS Keys thanks God, Sean decides to keep tabs on thanks to "the G-Man". Yup...gonna be a good diary tonight. Keys thanks the radio DJs...there's hope for me yet in 20 years...

8:14: They appear to be showing some predetermined awards while they plug some of the upcoming performances, but the TV is too far away and the font is garbage, so i have no idea what they're supposed to be.

8:17: when did it become socially OK to use Queen's "You're My Best Friend" to advertise something? Isn't that universally considered one of their lamest songs ever? It also says something when the song is in an ad for an electronic product (didn't see what).

8:18: Sean and I debate who's more annoying: Abagail Breslin (Definitely, Maybe) or Dakota Fanning. I say Fanning is the next Lindsay Lohan. Sean hopes she just fades into obscurity.

8:20: The Time just kicked into their reunion performance. No one below the age of 30 cares, unless they REALLY like Jay and Silent Bob Strike Back. It's one thing for a band from the 80s to reunite, but its different like they're still there.

8:21: The Time get interrupted by Rihanna, doing a disco twinged version of "Umbrella". Wow...this is not OK. And oh look, the girls had umbrellas!!! Ain't that cute?

8:22: Rihanna looks like Prince. Just sayin'...
I think the guy from Step Up was just dancing with Rihanna during her least impressive single yet? Correction: there were 2 of said guy...and we're back to the Time. Was that a segue or what?

8:25: There must be some rule that says Tom Hanks MUST be at every awards ceremony EVER. Unless I'm forgetting about some great album Hanks recorded. Oh yeah, and he's talking about The Band winning a Lifetime Acheivement Award. This would mean more if they weren't given out like they were going out of style. Hell, they don't even get a chance to be on stage. And now Hank is intro'ing the Beatles tribute as the camera goes in on Ringo, Yoko and two others. Tom Hanks is now reaching epic levels of excitement.

8:29: Cirque Du Soleil is doing their piece of "A Day in the Life" from LOVE. And I'm all out of LSD. Damn!

Full disclosure: I've never been a big fan of Cirque du Soleil...and this just looks like a deleted scene from Across the Universe. Meanwhile Sean and I debate which Beatle will die next (I say Paul), and who was the best.

8:33: The Across the Universe version of "Let it Be" is next up. Actually the original performers from the movie. I yell at Sean for not seeing the movie. As much as I skip this track on the CD, I like it anytime I see it. The song doesn't work as well when it's just heard, methinks. I'm still bummed that they couldn't get Jim Sturgess and Evan Rachel Wood to do "All You Need Is Love", but I'll live. Probably not eh worst performance of the night, but not actively memorable.

8:36: We consider Miley Cyrus a legitimate artist now? This physically hurts me a bit. The Best New Artist award is up next. GO PARAMORE!!!

8:37: AMY WINEHOUSE??!! WHAT??!! Of course she can't accept the award, she's too busy stoned and couldn't get a visa!!! ROBBED!!!

Meanwhile Sean is too busy wondering about Cyndi Lauper's accent. I'm inexplicably pissed now. 0 for 2 on my picks now. Curses. He redeems himself by being equally pissed about Winehouse's win, but he was rooting for Feist.

8:39: Jason Bateman was talking about the My Grammy Moment with the Foos during that rant. Dear Dave Grohl, why did you let your band sign up for this terrible idea? Bad ideas all over the place...but Jason Bateman has been the funniest thing of the night so far.

8:41: Commercial break means its time for popcorn. Back in a bit.

8:46: Back with popcorn, and still pissed about the Winehouse win. Do we have odds on her sobriety during her performance?

8:47: Daft Punk and Kanye performing "Stronger" now. Say what you will about Kanye and his attitude, but his music is damned peerless. I remember when I first liked Kanye; First Grammys performance of "Jesus Walks".

Kanye West - Jesus Walks [iTunes]
Kanye West - Stronger [iTunes]

West looks like he just came out of Tron, and I'm pretty sure he was doing the robot earlier. Either way, he's the second best performance of the night (I'm still loving the Carrie Underwood piece).

8:50: I think West has established that "this is what we been waitin' for" as Daft Punk finally get their due for being in the background of this song. The glow-in-the-dark bit gets old just as the song ends, thankfully. West segues into "Hey Mama", appropriate given his mother's passing.

8:53: Say what you will about West's ego, but he's pushing back tears right now...different side of Kanye and I love it. He might not win a Grammy tonight, but people'll still remember him tomorrow.

8:55: Most emotionally charged song gets followed up with...

Fergie. Correction: 3-Time Grammy Winner Fergie...with John Legend. I'm trying to like this song since I'm OK with John Legend, but my dislike for Fergie is prevailing.

Sean: "I'm half-expecting them to turn this into a remix of 'My Humps'"

8:58: LOVE wins the Best Soundtrack Category. I was pulling for Across the Universe, but this was the compilation prize since now Ringo gets stagetime.

9:00: Not liking the way they're showing pre-announced winners...too hard to seem, and thus too hard for me to make fun of. I just know Carrie Underwood won something for "Before He Cheats"

9:01: Sean goes looking online for Amy Winehouse fan groups, since neither of us know of anyone who likes her. Too bad we can't check sobriety over the internet. Apparently the only thing he found is a blog with two posts, last updated September. Once again, the Grammys show they have their finger on the pulse of the music world.

Just had a flashback to an old episode of Sports Night where one of the two leads admits to liking the Starlight Vocal Band, who were Best New Artist in the day. Clearly nothing has changed.

9:06: Dear Cher, just because we make fun of your age, doesn't mean its cool for you too. Love, society.

Meanwhile Beyonce doesn't look like she every changed out of her outfit from her Sports Illustrated covershoot as she drops names of 60s female soul artists to intro Tina Turner.

9:08: Sean: "I didn't realize I turned on WJJZ (local jazz station). The sadder part? I know all the words to ["What's Love Got To Do With It?]"

9:11: Beyonce and Tina Turner are gearing up to do "Proud Mary". I'm pretending to not hear this. In my mind, only one band did that song.: CCR.

Creedence Clearwater Revival - Proud Mary [iTunes]

9:13: This is hurting. Why are we letting young artists do songs from 30 years ago? I would much rather see these two "Irreplaceable". And I'm not a huge fan of that one either. Points for performance value, but B- on the song choice.

9:16: Song of the Year getting named now. Rooting for "Hey There Delilah" but odds aren't looking good.

9:17: DAMMIT!!! SON OF A BITCH!!! "Rehab" again!!??

9:18: It's official: Amy Winehouse will herein be known as Amy Cokewhore. I think it works.

9:22: A couple things can save this night: one is if the Foos wreck shop. and one is if Cokewhore performs beyond wasted.

9:23: The "cute Asian" (Sean's words) win the top slot playing with the Foo. And now the Foo play which means I stop typing for 5 minutes.

9:29: Back, and now there are TWO performances to be bootlegged. Of course the Foo Fighters were incredible. Please don't ask me to pick between that and Underwood's bit. The orchestra was positively epic, and that was the best Foo live performance I've ever seen. And according to Jason Bateman, the Foo already had one win tonight. Jason Bateman has definitely been the MVP of the night so far.

9:34: What goes on in Will Ferrell's mind that leads him to think that a movie like Semi-Pro is a good idea? Can we remove that part of his brain? Please?

9:35: George Lopez opens up his bit with.....racist comedy. Lovely. And he introduces the country act. Yeah, there's logic in that.

Sean: "Hey look, another country rocker in a cowboy hat."

Another one I'm trying to enjoy, but I'm well past my country phase. And I'm pretty sure this song is likening sex to checking a girl for ticks. Only in country music, people...

9:39: Sean is curious whether checking for ticks is an effective pickup line.

Sean: "I think he's only into girls with pubic lice"

Segue to Chris Brown, Solange and Akon for Best Rap Album, and an obligatory joke about parents understanding.

9:41: Best Rap Album...Kanye West for Graduation. A nuclear disaster may have just been averted. Sean is criticizing the oversized sunglasses while West rambles on and argues with the conductor playing him off.

9:43: West just OWNED the conductor as he talks about his mom. Just when things coulda gotten ugly, it gets really good. 50 points to both Kanye AND the conductor for not making things worse.

9:45: As Aretha comes in there's a giant cross lit up. Mention number 2 for God tonight (Sean's keeping score). Not impressed with this number. Nice thought, not particularly memorable though.

9:51: Aretha again. This has gone on too long...

9:57: Celine Dion with a special on CBS. This needs to not happen. What's wrose is that she's with artists who are weak enough as it is. And somehow she thinks her covering these songs will make them good. Strike Two. Ugh.

10:00: 2 and a half hours of blogging, and Feist is on now. Sean's transfixed, and I'm ready for a power nap. Scratch that; Feist was with Broken Social Scene??!! Never listened to them, but suddenly I care just a bit more. Not enough to like her, but still. I think sales of Ambien might plummet after people hear this song.

10:02: Even Sean admits the Feist song was weak. I don't know who they just intro'd (someone who won one of the first Grammys)...but Kid Rock is now accompanying her. What kind of world are we living in when we let a supposed legend sing with Kid Rock? ANd he just called that little old lady sexy. Good God have we lost all good taste.

10:05: Best Rock Album up now. Rooting for Springsteen or the Foo.

10:06: Foo Fighters pick up another! YES! The night is not yet lost. With all due respect to Sean (rooting for Wilco...bleck), the Grammys make the first right call of the night. "The Pretender" won hard rock performance, so that's 2 for 5 right now. Game on.

Foo Fighters - The Pretender [iTunes]

10:08: They seem to think I'm excited for Cokewhore's performance. If I'm excited for anything, it's to see if she shoots up on stage! GAH!

10:11: Just had my first taste of the new Mary J Blige song via a car commercial. Bette than I remember her being in the past. Perhaps a download for later...

10:13: Let the record show that the new CBS Monday is AWESOME. not just awesome...AWESOME. Don't forget this people.

Sean on Stevie Wonder's appearance and subsequent applause: "They're cheering so he knows he's not in an empty room." Dude, you're SO going to hell.

10:15: Alicia Keys gets a second performance of the night so she can do "No One" on top of the intro. Favoritism much? At least she's dressed and sounding better than she did at the Super Bowl. Who knows, with another 30 million plays, this song might get good.

10:18: John Mayer comes in for a guitar solo and makes the song a keeper. Bootleg #3 of the night.

10:20: Why are Ringo and Dave Stewart intro'ing the Country category? Missing the logic here. Sean says they all sound the same.

Vince Gill wins it, but I (still) don't care. So far every AotY nominee has won their genre. This might get ugly later on...

10:23: The makers of Godzilla and The Day After Tomorrow present another film with decent CGI, unintentionally funny dialog, and plenty of potential to show up on channel 347 six months from now (this one's called 10,000 BC).

10:26: After seeing a Big Brother ad, I must ask: What the hell is a "Dirty Jersey"?

10:29: Obligatory break for "Rhapsody in Blue"

10:33: Sean informs me that Flight of the Conchords win a Grammy for comedy album (beat out Geroge Lopez, thank God), and Barack Obama wins for spoken word. Game on.

10:36: Best Rap song collab is up next...T-Pain in there twice, and whiffs as "Umbrella" takes it. Loving this bit of Rihanna speaking and Jay-Z translating. I think Jay-Z might be climbing the ranks on my list of most appreciated rap artists.

Rihanna - Umbrella (feat. Jay-Z) [iTunes]

10:43: Amy Cokewhore takes the stage via satellite. I can't tell if she's dancing or trying to stand up straight and failing.

10:47: She segues into "Rehab" and I'm still trying to find a reason to like her. I'm estimating her BAL at about .04. Much lower than I anticipated. She still screams like a tonedeaf banshee, but at least she wasn't high...sadly.

10:51: Tony Bennett and Natalie Cole are naming the Record of the Year after giving Doris Day a Lifetime Award. "The Pretender" is my favorite, but I'm hoping for NOT "Rehab".

10:52: And I fail. "Rehab" again. She's definitely slurring her words and grasping her mum while she thanks any number of people. Not looking good for Foo Fighters to win AotY now. It'd be best to keep all sources of fire and all small children away from me for the next few hours.

11:00: Head of the recording industry announces all the things they're working on, then offers a backhanded shot at music pirates, then offers up a kid who was apparently on the Grammys many years ago as a kid, now a nominee. I would have had a better description than that but my dad IMed me about something.

11:03: Annual montage of musicians who died. The guy from Boston died?? Bummer. Hate to say it, but he's the only guy I find myself caring much about. And no mentions of Casey Calvert or the guy from Quiet Riot...that's garbage.

11:07: I think the Josh Groban/Andrea Bocelli piece would work better if it were one or the other. Neither of them are bad, I just think they both work better solo. Sean agrees.

11:15: Grammy takes a turn for classic rock with Little Richard, Jerry Lee Lewis, and John Fogerty from CCR. As much as I like the sound, I can't understand a word Fogerty is saying. Jerry Lee Lewis doesn't look like he can move anything except his jaw and his fingers. The energy in this performance is falling everytime I see Lewis.

11:20: Enter Little Richard, who looks the same now as he did 15 years ago. A little bit more energy from Richard, but Fogerty is stealing the show right now.

11:26: My friend Sam Keeler offers up the following: SCREW AMY WINEHOUSE. She also likens the current situation to Norah Jones a few years ago. Meanwhile will.i.am is singing something that I'm managing to forget as he's singing it.

11:29: Usher announces Producer of the Year, and now they're at AotY...Praying to the Gods on High right now...forget the Foos...anything but Cokewhore.

11:30: WHAT??!!?? Herbie Hancock? Seriously?

Well THAT was anticlimactic. I guess giving it to the Cokewhore would've sent the wrong message, Vince Gill was too dry, Kanye didn't need the ego boost, and the Foo Fighters, well, God forbid we give it to a modern artist??!! And now Hancock is going Barack Obama on us....bleck. He sounds like an African American Artist has NEVER won a Grammy before.

Well, I suppose as per my rule I need to give this album a shot, no matter how much I don't want to. Before I wrap things up, let's go through what we take away from the night:

Cokewhore: 3 Grammys
Foo Fighters: 2
God References: ~3 (Sean stopped counting)
Times TJ wanted to punch small children: 3
Memorable Performances: 3 (Carrie Underwood, Foo Fighters, Alicia Keys/John Mayer)
MVP: Jason Bateman for being the presenter with the most personality.
Worst speech: Tie between Cokewhore and Herbie Hancock
Best speech: Kanye West, for OWNING the conductor.

See you all later.

==TJ==

PS If you don't get the reference in the title of this entry, watch this video.

Monday, January 14, 2008

*Insert Witty Music Related Title Here*

Went on a bit of a ringtone buying rampage last night that might carry on into today. For the record, $2.50 for a 30 second clip of a song on my phone is ridiculous. No wonder ringtones have been so profitable. Anyway, if you were to call my phone right now, I would hear one of the following songs:

Finger Eleven - Paralyzer
Sixx:A.M. - Life is Beautiful
Dropkick Murphys - I'm Shipping Up To Boston

Today happens to have two birthdays of note; The first is that of my mother. I doubt my mother reads this thing, but either way, Happy Birthday Mom! The other is that of Foo Fighter's leader Dave Grohl, who turns 40 today. In honor of this, I was going to upload my 10 favorite Foo Fighter songs, but the internet here on campus is being slow, so I can only give you my three faves off the new album.

The Pretender
Long Road to Ruin
Cheer Up Boys, Your Makeup is Running

Get all kinds of Foo Fighters stuff on iTunes here

Back tomorrow...maybe. Going back to school is not good for daily blogging.

==TJ==

Tuesday, January 8, 2008

Countdown to 5,000 Songs

My Last.fm page says that I have played 4,990 songs since joining. In celebration of the pending song 5000, I am going to play the next 10 songs right now, and depending on how I feel, say a bit about them and/or post an MP3 of them. For the record, I have my iTunes set to shuffle my entire library, and I will not skip any song, no matter how embarrassing it may be. So here we go, this should be fun!

Song 4,991: The Monkees - Daydream Believer [iTunes]
...and I can see we're off to a good start *rolls eyes*. One of those songs that's been played about three bazillion times on your local oldies radio station (see also: "Brown Eyed Girl", "Magic Carpet Ride"). And how can you not love the multiple key changes at the end? Ah...

Song 4,992: Foo Fighters - Never Talking to You Again (Husker Du cover) [Foo on iTunes]
Got this as a B-Side when The Good, The Bad and the Unknown released a bunch of unreleased Foo songs. Always loved acoustic Foo Fighters, and this one sounds just as good as a Foo song as it does anyone else.

Song 4,993: The Beatles - Let it Be (Naked Version) [buy the CD on Amazon]
Almost certainly on my list of the 10 best Beatles songs ever. Don't know if I like the original or the Let it Be...Naked version better, and there are times when I'm not sure I can tell the difference (just as I finished typing that I got to the guitar solo and lo, I could hear a much more stripped down, raw guitar. Advantage: Naked version (for now)). My high school chorus would do this once or twice in class when we had nothing better to do. The last verse seals the deal every time:

And when the night is cloudy, there is still a light that shines on me
Shine on til tomorrow, Let it be
I wake up to the sounds of music, mother Mary calls to me
Speaking words of wisdom, let it be...


Love it. Love it. Love it.

Song 4,994: Jimmy Eat World - Night Drive [iTunes]
One of the better songs off of Futures, an album that I could never really appreciate, especially now that Chase this Light is on constant rotation on my computer. One of Jim Adkins' best lyrical moments on the whole albums, and one of the few instances where the slower, softer Jimmy actually works out well. I think if I ever do the cliche "take a girl up to a hill overlooking a city" bit, I'd want this song playing. Has the right atmosphere, even when it kicks back into full band at the last 90 seconds or so. Its about as good as the most average songs on the new album, which is still pretty damned good.

Song 4,995: Secondhand Serenade - End [iTunes]
This works out rather nicely, since I got a MySpace bulletin from them encouraging to tell one person about them. Since I'm writing a blog that I assume more than one person reads, I think that mission is accomplished. I did a more thorough write up on Secondhand Serenade last week, go check it out.

This brings up one more thing; if you read this thing, leave a comment at some point just to say what's up. It'd be nice to hear some feedback, even if it's a "you're taste in music sucks". Which I doubt it would be since you're reading this and its a blog dedicated to music. As long as I'm on a tangent here, let the record show that I've been typing live, so if there are any screw ups or if some bits seem shorter than others, that's why. The Foo Fighters song was only 2 minutes long, hence it's shortness. This song is nearly 3 minutes of the line "Don't Let Me Down", among others, so its easy to run out of stuff to say. Awesome harmonies though. So yeah check these guys out.

Song 4,996: Creed - My Sacrifice [iTunes]
There was no way I was getting through 10 songs without something potentially embarrassing coming up. But at any rate, be a man and admit it; you liked Creed back when they were popular too, and jumped ship like everyone else when things got sour. The only difference is I still admit to having all three CDs and listening to them once in awhile. The music wasn't terrible (not compared with some of the other garbage that was making money in 2001), people just hate Scott Stapp. And to some degree with reason.

In a related story, Human Clay was apparently #7 on the list of 10 best-selling albums of the SoundScan era. At #1? Shania Twain's Come On Over. Seriously? Shania Twain is at #1, and people are gonna bitch about Creed? There's something wrong with this picture.

Song 4,997: Staind - Outside [iTunes]
The second, less-appreciated single from what was Staind's first widely popular album. Sadly this isn't the live version where Fred Durst kinda mumbles along and then shouts at the crowd during the guitar break.

This is another band that gets a bad rap for being on the radio in the early '00s. Look; if you found out you could write songs, and one or both of your parents treated you like crap, don't you think you would try to get some getback? Cut Aaron Lewis a break. It's not his fault that a bunch of other bands tried to ride his coattails.

(This is getting increasingly difficult as my dad tries to make his new phone work. Missed the last 30 secs of "Outside" and the first minute of the next song. Pausing now to catch up.)

Song 4,998: Eve 6 - Tongue Tied [iTunes]
And we're back on track. Found out two weeks ago that Eve 6 is among the laundry list of bands that chose to reunite. Normally these guys would qualify on the list of bands that didn't deserve a reunion, but Horrorscope (the second album) was one of my favorite CDs in middle school, so I'm gonna let this one slide. Cool song from the first album, the only one I don't have.

Song 4,999: The Animals - House of the Rising Sun [iTunes]
Another frequenter of the oldies radio stations. Every time it comes on my dad feels the need to point out that there's an organ solo, so yeah...there's an organ solo somewhere in this song. The first verse was also the intro to the U2/Green Day song after Hurricane Katrina "The Saints Are Coming". I wanna say its been used in something else worth noting, some movie or something, but I'm blanking. A thousand points to whoever comes up with what I'm thinking of. Not a terrible song, despite being on oldies radio station (sorry folks, after hearing oldies every time I'm in a car with my father, I have a special place in my heart for such things).

And now...here it comes...I want you to know I'm drumrolling in my head right now...




Song 5,000: Maroon 5 - Not Falling Apart [iTunes]
...
...
...
Wow. That was anticlimactic. I think I've only listened to this song maybe once. One of the misses on the hit-and-miss last album. Of all the good songs on the CD, I had to get this pedestrian one? iTunes has failed me. Listening to it now anyway...it's not so terrible that my ears are bleeding, but there's nothing particularly fun about it. It sounds like an average Maroon 5 song. I don't understand why Rolling Stone gave so much love to this CD when Linkin Park and the Foo Fighters put out so much better work this year. It probably has something to do with the fact that Adam Levine looks like equal parts Justin Timberlake and Bruce Banner. Maybe they were afraid of him going Incredible Hulk or something.

So there you have it. 5,000 songs since November 27, 2006. Below I'm posting songs 1,000 and 2,000, just 'cause I have them listed. I'll be back later.

Song 1,000: Eminem - Lose Yourself [iTunes]
Song 2,000: The Killers - Sam's Town [iTunes]


==TJ==

PS: I did this piece as I heard each song, so you basically got 10 Currently Listening's today, so I'll skip a separate one today.

Friday, January 4, 2008

Dave Grohl to Drum for Led Zeppelin?

For the last 4 months anytime anybody breathed the words "Led Zeppelin" the whole world stopped to listen. I could right now start a rumor that said that Led Zeppelin was going to do an intergalactic tour that kicked off tomorrow on Jupiter and there's a good chance it would get picked up by someone. There's been more bullshit surrounding this than any real fact; first they're reuniting, now its a one-off. A source says they're headlining Bonnaroo, two more say they aren't, then three say they are. I've been trying to avoid it simply because I'm not the world's biggest Zeppelin fan, but the one I read yesterday is too much to let pass.

WMMR here in Philadelphia picked up a story from a site called gigwise.com that suggested that if/when the Zep decide to tour, the man behind the drum kit would be none other than Foo Fighters frontman Dave Grohl.

(I know a bunch of people probably stopped reading right here and are chalking this up to my neverending love of the Foo, but I'm not making this up. Read it here.)

British newspapers are saying that Grohl was on the list to take over for the late John Bonham on drums for their O2 show in December, but the spot ended up going to Bonham's son, Jason. They go on to say that Grohl would drop anything Foo Fighters related for a chance to play with Led Zeppelin. The Foo Fighters camp have not responded to these rumors, and as expected, reps for Zeppelin have been equally silent.

I'm not saying that its a good idea for this to happen, but damn it if it isn't the coolest bit to come across my computer screen all week. If I had to make a call, I would say that someone will debunk this story by early next week, but either way the story is awesome.

Back later today with a breakdown of the Top 40.

Foo Fighters - Another Round (feat. John Paul Jones) [iTunes]

Currently Listening: Led Zeppelin - Dazed and Confused [iTunes]
(this news made me decide to give them another shot)

==TJ==

Tuesday, January 1, 2008

VLM's New Year's Resolution: Blog More

Happy New Year Everybody! The title pretty much gives it all; my goal for 2008 is to give more to you, my loyal readers. Haven't figured out exactly what that means yet, but some of the things I'm thinking about doing include:

-Reviving the Second Spin and Discount Rack features
-Weekly commentary on the radio charts
-Show you what I'm listening to every entry (see below)
-Perhaps a LiveBlog of the Grammys?
-Looks at awesome bands that aren't quite mainstream yet but deserve to be (also see below)
-Possible revival of the Radio Show
-More random looks into what I'm listening to

And any other things that I come up with. Either way, you're getting more from me. Regarding that awesome bands that aren't mainstream yet, if you're in such a band or know of a band that fits this category, let me know! Friend the MySpace page (now with a Link on the Left), or leave a message here. Already looking at doing a piece on 10 MySpace Bands I think everyone should know, so if you have ideas get 'em to me.

As for the what I'm listening to every entry...well, it's pretty simple. In addition to the MP3s of the songs I blog about, I'm gonna start giving out MP3s of the song I'm listening to as I type this. (assuming its different from one of the songs I write about). I'm also plotting some cool stuff for the pending one-year anniversary of VLM, so keep reading, and I will be back in the very near future.

Currently Listening To: Foo Fighters - Wind Up [iTunes]

==TJ==

Saturday, December 8, 2007

VLM's Yearly Rant About The Grammys (Or Is It?)

Earlier this week The Recording Academy released the nominations for the 2007 Grammys. Now would usually come the part where I rant and rave about how badly they screwed up and who got truly screwed...

...except this year they did a pretty good job. No, seriously, the nominees are pretty much right. Kanye has 8 including Album of the Year. In a showing of pure awesome, the Foo Fighters are up for Album, Song, and Record of the year. Didn't I tell you Echoes, Silence, Patience, and Grace was amazing? Amy Winehouse is up for six counts of drug posession and being a dumb bitch Grammys for the inexplicably lauded Back to Black and song "Rehab". Other deserving nominees include Paramore for Best New Artist (in a category completely female dominated...coincidence?), Rihanna for Record and Song of the Year (the Grammy voters are clearly still singing "ella, ella, ella"), as well as Daughtry and Bruce Springsteen, who each got for noms in the rock category. All in all, props to the Grammy Association for not fucking this one up. Commentary on who will and should win will come sometime in 08 closer to the actual ceremony.

Meanwhile, I've been keeping tabs on various groups' Best of '07 lists, and two things pop into my mind:

-Who do Dave Grohl, Jim Adkins, and Trent Reznor need to blow in order to get in anyone's Top 25??
-The overwhelming love for LCD Soundsystem's CD Sound of Silver led me to pick up a copy for myself. Is it good? yes. Is it likely to grow on me? Yes. Do I think it belongs as #1 on everyone's list? NO. Full review coming, but my first impression was "Four-and-a-half Inch Nails".

Back later.

==TJ==

Friday, November 9, 2007

VLM Presents Your Daily Dose of WTF??!!

Found this while I was searching for other stuff and it was too ridiculous to let pass.



Foo Fighters - With Arms Wide Open (Creed Cover)

Apparently during a sound check for a radio on-air performance or something, Dave Grohl decided to break out into "With Arms Wide Open", complete with bad Scott Stapp impersonation. In true Grohl-esque manner, he flubs the lyrics to hell and back (probably on purpose), and the result is this novelty track. Enjoy. More stuff to come later.

==TJ==

Tuesday, November 6, 2007

New vids from the Foo, Linkin Park

Earlier today the Foo Fighters premiered the video for new single "Long Road To Ruin" on MTV.com (a pleasant surprise; I had heard the next single was "Cheer Up Boys, Your Makeup is Running"). The video is classic Dave Grohl weirdness set to the backdrop of a bad soap opera complete with characters like "Saul Goode" and "Les Groper". Oh yeah, and the song is effing amazing



And a few weeks ago, Linkin Park released their video for "Shadow of the Day", their third single from Minutes to Midnight and yet another video directed by band member Joe Hahn. The video is traditionally dark, but as per the theme of the new album, much more insightful and powerful than the Linkin Park of old. I especially like the sound effects over top of the music. Another great song from an amzing album

Youtube disabled the embed function for this song, but here's a link. While you're at it, check out the piece on Chester's broken wrist.

That's all for tonight. Back when there's more cool stuff to show off.

Foo Fighters - Long Road to Ruin
Foo Fighters [iTunes]

Linkin Park - Shadow of the Day

Linkin Park [iTunes]

==TJ==

Tuesday, October 16, 2007

New Song from The Killers, Maroon 5 tries to be Sting

OK, so couple of bits coming out today:

-The Killers' have officially released their cover of Joy Division's "Shadowplay", which will appear on the soundtrack to the upcoming Joy Division biopic as well as The Killers' rarities and B-Sides album Sawdust. The track is available on iTunes and Ruckus, I will make it available here ASAP.

-Yesterday Maroon 5 debuted the video for their third single off It Won't Be Soon Before Long, "Won't Go Home Without You". It's one of the better songs off the rather overwhelmingly average album, though it definitely reeks of "She Will Be Loved". Two things come to mind as I hear the song/video:

1. Does any other band have a member that looks more out of place than the guitarist (guy on the far right in the video) from Maroon 5? He looks like a cross between Kurt Cobain and Taylor Hawkins (Foo Fighters' drummer), whereas Adam Levine looks like a perpetually angry Justin Timberlake.

2. After watching the video, I realized how not-so-nice the song is. Could this song be this decade's answer to "Every Breath You Take"? Watch the video and you'll see what I mean.



-The Fray put the Reason EP on iTunes today. Reason was a set of 7 songs (including "Vienna" which eventually made it onto How To Save A Life) written and recorded before their debut album was released. Most fans of The Fray have already gotten this EP through illicit means, but at least now the band is trying to capitalize off it.

-I know this has been out for awhile, but I only just heard it a few days ago:

Paramore - My Hero (Foo Fighters cover)

I've been looking to hear some of Paramore's music, but hadn't found a way in til this track. Awesome cover, definitely worth the listen.

Listen for all this stuff and more on the radio show today at 4.

Maroon 5 - Won't Go Home Without You
The Fray - Without Reason

==TJ==

Monday, September 17, 2007

Boys Like Girls are good...WHAT!!??

Some quick reviews that got overshadowed by the awesomeness of the Foo Fighters leak last week:

-Going against the advice of Luis from Pretty Much Amazing, I went ahead and picked up the leak of James Blunt's All The Lost Souls. Luis, if you happen to be reading this, you were right. With a few marginal exceptions, its a snooze. If I want to hear a song like "1973", I'll stick with music that came out in 1973.
Ruling on the Field: 3/10
Highlight Reel:...Sad to say there really isn't one. If you really want a taste, I'll give you 1973.

-I've only barely gotten through all of Graduation, but it's definitely something that's gonna get a few more rounds on my iPod before it wears out. This is the only Kanye album I've heard in its entirety, so I don't really have a point of reference, but suffice it to say I'm impressed. Kanye's brand of rap is way more accessible than most of the rest of what the genre is offering up (with the exception of maybe Timbaland).
Ruling on the Field: 7/10
Highlight Reel: Stronger, Can't Tell Me Nothing

-I ruckused the self-titled debut from Boys Like Girls, primarily on the strength of this live version of "The Great Escape" I picked up from iTunes (the link is to the video of the AOL Session. The audio of the same performance is also on iTunes). "The Great Escape" is definitely one of the highlights of the album, but its matched by tracks like "Thunder" and "Five Minutes to Midnight". I don't know if there is a truly good way to do pop-punk, but Boys Like Girls put up something really fun.
Ruling on the Field: 8/10
No Highlight Reel for this because I ruckused it, but I'll try to get an mp3 of that live track up later in the week.

I think that's it for now. Back later with some other goodies.

==TJ==

Sunday, September 16, 2007

Foo Fighters: Album of the Year???

If you take the softer disc from In Your Honor, There is Nothing Left to Lose, and the experience gained from the Foo Fighters' recent Skin and Bones "Afoostic" tour and stick 'em in a blender, you get something very close to Echoes, Silence, Patience and Grace, the sixth studio album from a band that by most accounts should have been nothing more than a small side project (note that the first Foo album was recorded by Grohl and the members of the recently-defunct Sunny Day Real Estate). On this album, Grohl and Co. are back in top form on what may be their best album to date.

2005's In Your Honor double album, while containing some of Grohl's best singing and songwriting to date, also seemed very schismatic, with no apparent connection between the two albums other than some artwork. Echoes, Silence, Patience, and Grace offers up the best of both worlds, with a stunning mix of balls-to-the-wall guitar and drums with the tuneful qualities that turned "Big Me" into a hit 12 years ago, as witnessed by leadoff track and first single "The Pretender". Strangely enough, this might be the weakest track on the album, with everything that follows it taking fans on a twisted roller coaster of ear shattering drums, wandering guitars, and flat-out beautiful lyrics by Grohl.

With tracks like "Cheer Up Boys, Your Makeup is Running", the instrumental "Ballad of the Beaconsfield Miners", and the far-and-away standout "Long Road to Ruin", Echoes, Silence, Patience and Grace show us where the Foo have been, what they learned, and a small taste of where they're going. If they didn't before, The Foo Fighters should have everyone's attention by now.

Ruling on the Field: 10/10*
Highlight Reel: "Long Road to Ruin"

*In the interest of remaining professional, I lowered the albums rating to within the scale's parameters. On the first listens this album hit as high as a 14 or 15 on a 10-point scale. Yeah, it's that good.

==TJ==

Thursday, September 13, 2007

VLM Just Cancelled All Its Appointments for the Rest of the Day

Echoes, Silence, Patience, and Grace, the new album from the Foo Fighters, just leaked to the internet.



So much for any real work getting done tonight. Review coming ASAP. NO I will not post the link to the download (violates terms of use for the group from whence I got it, and its just a bit wrong...even I have some standards)

==TJ==

Monday, August 6, 2007

VLM Makes A Triumphant Return!!

OK everybody, I'm back! The month off was pretty awesome, but let's just dive in to the music!

-The Foo is back! The Foo Fighters have set September 25th as the release date for their new album, Echoes, Silence, Patience and Grace. A tentative tracklisting is on their myspace page, and early last week the first single "The Pretender" leaked onto the internet. The song isn't quite as good as "The Best of You", but as a sign of what's to come on the new album, I'll take it. In addition, the Foo Fighters have released a 10th anniversary edition of The Colour and the Shape with new bonus tracks. Normally this would suck and reek of corporate underpinnings, but since the bonus tracks are decent and they don't jack the price of the album up, it marks another classy move by the always awesome Dave Grohl.

Ruling on the Field: 6.5/10

Foo Fighters - The Pretender [via sendspace]

-Joining in on the fun is Jimmy Eat World, who slated October 16th as the release for Chase This Light, and also re-released Clarity and Static Prevails in anticipation. No single out yet, but look for one in the next few weeks.

Ruling on the Field: I want a single, dammit!

-A very large (and probably long overdue) "F--k you!" goes out to Chad Kroeger and the guys from Nickelback. The commercially angsty Canucks just reissued their 2005 smash All the Right Reasons with three pointless live tracks and a DVD of music videos. Since I'm pretty sure everyone who's going to buy All the Right Reasons already did so, this move just marks a cheap marketing ploy to scrounge another 30 bucks out of Nickelback's "hardcore" fans. Real smooth, guys...real smooth.

Ruling on the Field: Fuck you, Nickelback!!

-I Ruckused Sum 41's controversial new album Underclass Hero shortly after coming home, and damn it if it isn't a throwback to what punk rock is SUPPOSED to sound like! The title track is a ballbuster of the highest caliber, and nothing on the album is inherently bad, it just tends to lean into territory already walked by the likes of Blink 182. Regardless, Sum 41 comes through again with what might be the most underrated punk album of the year.

Ruling on the field: 7.5/10
Highlight Reel: "Underclass Hero", "Speak of the Devil", "March of the Dogs"

-My list of CDs I need to hear has expanded, now including Who We Are from Lifehouse (tentative ruling based on what I have heard: 8.5/10), Smashing Pumpkins' new album Zeitgeist, and the new one from Velvet Revolver. More on those when I sit down and hear them in full.

-Linkin Park released the video for their second single off Minutes to Midnight, "Bleed it Out". Love the camera work and the song's awesome, but didn't Coldplay already trademark the whole everything-in-reverse idea?



OK that's all. Back later

==TJ==

Sunday, January 21, 2007

Can You Cover Up These Eyes?

Apologies on the 48 hours without updating. But this is a good one, I promise.

So AOL's music branch has started a project where they bring in current rock bands and have them do stripped-down covers of songs/artists that influenced them. It's actually a pretty good idea. The best example by far is AFI doing David Bowie's "Ziggy Stardust":



(Video may not work on Firefox. If so, here's the link. I'm gonna try to upload an mp3 of it in the near future)

They have other covers from bands like Hellogoodbye (Frank Sinatra), 30 Seconds to Mars (The Police), and Rise Against (Buffalo Springfield). So that got me wondering about other bands and what covers I'd like to see them do. Here are 5 of my picks.

Bright Eyes - Like A Rolling Stone (Bob Dylan): A lot of people say artists like Dylan or The Beatles are untouchable and that their work is so perfect it shouldn't be redone by anyone. I disagree. No artist has reached such an echelon. As proof of how a cover can be done right, go youtube Jay-Z, Linkin Park and Paul McCartney's performance of "Numb/Encore/Yesterday" from the 2006 Grammys. Conor Oberst has already drawn Dylan comparisons, and the thought of him hearing him wail on the chorus to one of the greatest songs of the '60s makes me giddy. Odds of this one happening are slim, but it's still one a great musical fantasy of mine.

The Killers - Live and Let Die (Paul McCartney/Wings): I don't know if its The Killers' '80s revival sound, or the fact that the opening lyrics are "When You Were Young..." (also the name of a Killers hit), but I think this song is in Brandon Flowers's wheelhouse. It's got a perfect mix of bravado and campiness, and its totally not impossible to see The Killers try to pull it off in the near future. I'm dead serious here. Can I please get someone at Island Records on this?

Foo Fighters - Carry On Wayward Son (Kansas): Dave Grohl and co. are already known to do this one live from time to time. Since Grohl has already said that the chances of covering anything from Nirvana are slim, perhaps they could do a studio version of this one just for kicks. Ignoring the Foo's lack of a keyboardist, I think this one has some real potential. Foo Fighters have proven they can do the big arena rock-style tracks, I want to see them go all the way with it.

Godsmack - Nothing Else Matters (Metallica): We all know Godsmack can do the 3-minute, balls-to-the-wall rock, but the closest they've come to expanding was "Serenity", which was a solid track to end the Faceless album, and The Other Side EP, which had little to offer since they ignored it after that. Sully Erna has the voice to pull off the soft end of the Metallica hit, and I think trying to expand on the softer edge of their range might yield something pretty cool.

Go Your Own Way (Fleetwood Mac): I haven't come up with who I want doing this one, but there are a couple candidates, and this is definitely one that could turn into a hit for someone if done right. I can see The Fray doing this one (they've got the vocal harmony to do it), or even the Barenaked Ladies (though it might be too serious for them nowadays), or perhaps give it to 30 Seconds to Mars (for a much angstier take on it). But I think The Fray have the best shot of a hit with this one.

That's my list. If you read this blog, please comment and let me know. It'll make me feel better and give my ego that tiny little boost.

==TJ==