Showing posts with label Finger Eleven. Show all posts
Showing posts with label Finger Eleven. Show all posts

Friday, March 14, 2008

4 Quick-ish CD Reviews; That's Right, I Bought CDs...

I'm not doing an Under The Radar post today or tomorrow, because a) I'm holding till I can get in touch with another artist for my next one, and b) I just think it's time to mix it up a bit this week. So here's something new.

It's a safe bet that any time I go home, I'm going to come back to school with some new music. This time is no different. Over the last week I bought 4 CDs, 1 digital album, and played through some stuff that hasn't been spun in awhile. Since I haven't listened to the digital album yet (it's NIN's Ghosts I-IV, and I haven't had 2.5 hours to burn on listening to it yet) and I'm gonna save the older stuff for another entry, a look at the CDs I bought, in the order I bought them:

Sixx:A.M. - The Heroin Diaries Soundtrack
I've been trying to find myself a copy of this one since my first hearing (and unexpected enjoyment) of "Life is Beautiful". The concept behind the album is really cool; a soundtrack for a book. For the most part the music is pretty good, in spite of being a bit lacking in originality. A run of the mill nu-metal band could probably write and record this album and it would come out serviceable, but something about Nikki Sixx's connection to the material and lead singer Jason Michaels delivery, along with some ridiculous guitar work from DJ Ashba puts it a cut above the rest of the pack these days. Not that hard given what the pack looks like these days (Puddle of Mudd and Seether are both atop the Rock charts right now). Reports suggest that a second album from Sixx:A.M. are unlikely and this was just a one-shot, but it doesn't cheapen the good effort from the band. Probably not a classic for the ages, but worth some iPod space.
Ruling on the Field: 7.5/10
Highlight Reel: Life Is Beautiful [iTunes]
(sorry, haven't uploaded this album yet)

Radiohead - Hail to the Thief
The last album I needed to have the full Radiohead discography, I found this at a used CD shop for 5 bucks. I'm going to do a full review of Radiohead's stuff next week, but this album was more of a mixed bag for me than any of their other stuff. On one hand, when Radiohead does something truly ear-catching, as they do on songs like "There There" and "We Suck Young Blood", the result is bloody brilliant. The problem is moments like these tend to be few and far between, and you have to listen really hard to find why people like Radiohead so much. Hail to the Thief certainly isn't a bad album, it just takes work to listen to, and I'm not always up for trying that hard to enjoy music.
Ruling on the Field: 5.5/10
Highlight Reel: There There [AmazonMP3]

Counting Crows - August and Everything After
I already had most of this album thanks to Mike Newsham, but I felt as though it was one of those ones that I needed to own, simply because it showed off the era of music so well. The debut album from Counting Crows came out the same year as Nirvana's final studio LP In Utero, and ends up being a great set to tie the angsty, heavy sounds of the grunge era and the hooky, upbeat stylings of post-grunge (see also: The Goo Goo Dolls and Collective Soul). There's rarely a bad moment on this album (except maybe the dredgy "Raining in Baltimore"), and when it's good, it's among the best in the genre, and quite frankly, Counting Crows have been for most of their career. As debut albums go, August and Everything After is one for the books.
Ruling on the Field: 9.5/10
Highlight Reel:
Mr. Jones [iTunes]
(so hard to pick just one, so I went with the best-known)

Jay-Z - American Gangster
Been meaning to give this a listen since it found its way onto many (including my own) Best of '07 lists, and it helped that I saw the movie from which the album drew its inspiration. As a general rule I steer clear of rap albums, since they too often end up being the same old garbage, but Jay-Z has become one of few exceptions to that rule (his protege Kanye West is one of the others). American Gangster is a bit of an enigma as rap albums go. For starters it's a concept album, an idea usually reserved for rock music. It also simultaneously glorifies and warns against the "gangster life" that is so often the focus of rap music. Since Jay-Z seems to envision himself as a bit of a modern day Frank Lucas (minus the drug trafficking), he understands the allure of that life, but also finds it important to tell listeners that he rose above it and found success anyway. The music itself is across the board better than any rap I usually hear on the radio. "Roc Boys (And The Winner Is)..." deserved all the praise it got, and "Hello Brooklyn 2.0" is an example of Hova's ability to craft a track. Even the collaborations on the album match his skill. The album didn't sell me enough to become a fan of rap, but I certainly didn't feel bad shelling out 12 bucks for it.
Ruling on the Field: 8/10
Highlight Reel: Roc Boys (And The Winner Is)... [Amazon MP3]

And that pretty much does it for me. Back tomorrow with a Weekend WTF, and then next week it's back to business as usual.

==TJ==

Current Music: Finger Eleven - Paralyzer [iTunes]

Wednesday, February 6, 2008

Singles All Over The Place

So far 2008 hasn't offered much in the way of exciting new music. for the last month or so it's been lots of either garbage or carryovers from 2007. Luckily this week unveiled a great set of stuff to come for the next few months. I already posted "Nine In The Afternoon" by Panic at the Disco (which according to Hype Machine I have the blogworld exclusive on right now...pretty cool). Over the last few days some kickass bands offered new singles for new albums. Before that, some singles from older bands.

Linkin Park announced that "Given Up" will be the fourth single from Minutes to Midnight. Not a great move if you ask me. "Shadow of the Day" is still climbing on the charts (#13 on the CHR/Top 40 this week) and could hit the Top 10 very soon, and "Given Up" was the weakest song off that album. I get that they want to keep their names on the alternative charts, but this song is pretty terrible.

Linkin Park - Given Up
[iTunes]

This week Finger Eleven is sent "I'll Keep Your Memory Vague" to radio stations as their next single after "Falling On" failed to stick around for very long. It's been described as the token ballad from the album, and that's pretty accurate, but it's still better than a lot of other stuf Finger Eleven's put out. Anyone else remember the last ballad Finger Eleven dropped, the emotacular "One Thing"? Yeah, this may not be great and not sure how it'll take with the far superior ballad by Linkin Park doing so well, but a decent song nonetheless.

Finger Eleven - I'll Keep Your Memory Vague [iTunes]

This week was also a hell of a week for new singles. Last month I mentioned Secondhand Serenade's sophomore album A Twist In My Story. The album became available for pre-order on iTunes yesterday, and with it the title track was released. Lead single "Fall For You" hasn't made nearly the impact I thought it might, and until today when a second song had come out, I had forgotten about it. "A Twist In My Story" isn't terribly exciting at first listen either, but I'm hoping that as it gets closer to a release I'll warm up to it. No word on if the title track will be a single. In the meantime, here's "Fall For You"

Secondhand Serenade - Fall For You [iTunes]

Back for his first song since 2003 is rock singer songwriter Gavin DeGraw. "In Love With A Girl" is the first track from his allegedly self-titled sophomore album due out April 1st. Information on the release is spotty, and the only confirmed info is the release date and this single, which hit iTunes yesterday. The song shares a lot in common with his smash hit "I Don't Wanna Be", but is far from a carbon copy. The song still shows off DeGraw's excellent guitars and equally great lyrics, but with a touch more edge than most of Chariot. I've been waiting to hear from Gavin DeGraw for awhile now, and while he may not have changed much in 5 years, he's certainly welcome back the way he has been.

Gavin DeGraw - In Love With A Girl [iTunes]

The Counting Crows were among that chunk of music that Mike Newsham gave me last week, and based on what I heard, I like it. So I was quite excited to hear that last month the band leaked 2 tracks from their forthcoming Saturday Nights & Sunday Mornings album to their website, as well as first single "You Can't Count On Me" to iTunes yesterday. "1492" and "When I Dream of Michelangelo" do a decent job of showing off the two sides of the album (it's a two-disc a la Foo Fighters' In Your Honor with one loud disc and one soft disc), but neither song is particularly amazing. "You Can't Count On Me" is most definitely is single, and looks like it might be big on the AC charts. For me, I don't think anything will top the stuff on August and Everything After, but the new song is still a worthy hit to add to their collection.

Counting Crows - You Can't Count On Me [iTunes]

I think that's it for now. Might be back later to cover the Bonnaroo lineup.

==TJ==

Friday, January 4, 2008

Top 40 Breakdown: FINALLY Someone Knocks Off "Apologize"

Every Friday from now until whenever I decide to stop, I'm going to provide a breakdown/commentary on the week's Top 40 radio charts (If someone from Pretty Much Amazing wants to throw things at me for snagging an idea they had for awhile, now would be the time). So let's look at this weeks hits:

After 8 seemingly endless weeks atop the list, Timbaland/OneRepublic's "Apologize" saw its reign come to an end this week, slipping to #2. Before you feel bad for either band though, OneRepublic has "Stop and Stare" at #25 and climbing, and Timbaland's name appears a staggering 3 times with "Apologize" (#2), "The Way I Are" (#14), and 50 Cent's "Ayo Technology" (#29) all charting this week.

Replacing "Apologize" is the new Alicia Keys track "No One". Quite frankly I would have rathered another week of "Apologizing" boning the radio, but clearly I'm in the minority here. The rest of the top 10 is pretty lackluster, as Fergie's "Clumsy", Rihanna and Ne-Yo's "Hate That I Love You" and Colbie Caillat's "Bubbly" are still holding strong, as is the intolerable "Low" by Flo Rida. The only bright spots in the top 10 are Finger Eleven at #9 (down from #7 last week) and Jordin Sparks' "Tattoo" rising to #6.

Once out of the top 10, things get good. "Misery Business" by Paramore rose to #13 this week, but with a gain of only 5 plays nationwide, I don't think that'll get much higher. Daughtry's newest pop/rock crossover "Over You" is holding at #12, and rounding out the top half is Linkin Park's "Shadow of the Day", up one spot from last week. Also in there are a bunch of songs left over from the summer, with the aforementioned "The Way I Are" and Kanye West's "Stronger" (#17) just refusing to lay down and die. At 29 weeks, "The Way I Are" is the longest charting song on the Top 40 right now.

Once out of the top 20, the rest of the list is made up of songs either on their way in or on their way out. After "Everything" failed to make a dent on the radio, Buckcherry's "Sorry" is making a run for the top, currently sitting at #22. The positively generic "Never Too Late" by Three Days Grace follows close behind, while Boys Like Girls and Chris Brown's "With You" also saw chart increases this week. On the way out is the indefensibly bad Soulja Boy, who starting next week will most likely enter the recurrent chart, along with Maroon 5 and 50 Cent. At the tail end of the list is "Calling You" by Blue October, released on the re-issue of 2006's Foiled (the original version was released in 2003). The song has bottomed out the chart for the last two weeks, but I'm personally hoping for a boost in the coming weeks.

My expectations for next week: With no song immediately poised to take down "No One", expect it to remain for another week or two, unless "Tattoo" can make a huge jump quickly. A bunch of songs will probably fall off the charts next week into the recurrent section, which might pave the way for "Calling You" to rise, and Sara Bareilles' "Love Song" to crack into the crossover list. That's the best I can offer this week, perhaps as I keep looking we'll see something more.

The Highlight Reel
Timbaland feat. OneRepublic - Apologize
Finger Eleven - Paralyzer
Paramore - Misery Business
Linkin Park - Shadow of the Day
Buckcherry - Sorry
Boys Like Girls - Hero/Heroine
Blue October - Calling You

Source: http://www.radioandrecords.com/Formats/Charts/CHR_Top40_Chart.asp

Current Music: Our Lady Peace - Made of Steel (DRMed...sorry guys)

==TJ==

Tuesday, October 30, 2007

About that Singles post...

...yeah life got in the way, and I'm only getting around to it now. What with the show opening I've been listening to a bunch of different stuff, some of it to get me pumped (or "amped" as Ernie liked to put it), other stuff just because it sounds good. Let's get started.

Kanye West - Stronger
This one is just a given. It played on the radio once in the dressing room, leading me to start rapping along since I knew every word to the track (having heard it a million times by now). After that it just got played every single pre-show after that. My love for this track is well documented on this blog.

Black Sabbath - War Pigs

A favorite of my castmate and friend Ernie. Before "Stronger" rolled around, this song was the song to which we all danced, moshed, and air-guitarred prior to curtain. I'm not a huge fan of Black Sabbath or even metal for that matter, but this song did what it had to do.

Finger Eleven - Paralyzer
Another dance around the dressing room favorite. Very sad to hear this song somehow got snubbed on the Guitar Hero III: Legends of Rock setlist. Awesome riff, the beat is simple, but unforgettable, and its just a great song by a band that most people wrote off.

Speaking of which, what should a band do when its core fans abandon them for having "sold out" for getting a radio friendly hit? Do what Finger Eleven did and get a new fanbase. I bought Them vs. You vs. Me the other day, and their new brand of bouncy hard rock is positively amazing. It'd be easy to assume "Paralyzer" is just another one-hit wonder track, but in reality its matched by the likes of "Falling On", "Change the World", and "I'll Keep Your Memory Vague". It's not earth-shattering, but dammit if isn't better than the by-the-numbers angst rock we've become so used to. I hope you're taking notes, Seether.
Ruling on the Field: 7.5/10

Rihanna - Umbrella (Cinderella remix feat. Chris Brown)
I know I'm way behind the times on this "Umbrella" remix, but it got played on Alex, Helen, and Amanda's show and I fell in love with it. The more I listen to Top 40 R&B, the less I find myself hating it. I ruckused Good Girl Gone Bad to see what I was missing, and it wasn't nearly as bad as I was thinking it would be (and nowhere near as sickeningly sugarpoppy as the new Backstreet Boys album). While I'm at it, Shut Up and Drive is equally good at getting the adrenaline flowing.

Dropkick Murphys - I'm Shipping Up To Boston
Anyone who saw The Departed will know this song, and it's textbook DKM with it's throat wrenching vocals, pulsing drums and sick guitars. Another fun song to get yourself worked up to.

The Crash Motive - Not Giving Up
Yeah, I know I posted this last time, but it's still just as appropriate. Every time I hear this song, I feel like I need to get up and fight someone. The drums sound like they belong on a rap album, and you can't not bounce along in your chair to the chorus. I'm playing through their debut album, and can't stop raving about these guys. If you don't have this song, you really have no excuse.

All these tracks and others can be found on the iMix I just threw together, aptly titled "GET AMPED". Go check it out on iTunes (I posted it as an entry for a contest The Crash Motive is holding right now). I'll link to the mix tomorrow after the updates I made to it take hold.

Back later with other stuff.

==TJ==

Monday, September 10, 2007

Kanye, 50 set to do battle

For starters, I just started playing a leaked version of Graduation by Kanye West. I'll tell you what I think when I blast through the whole thing, but you should know that "Stronger" has been getting frequent play on my iPod for the last week or so. Both this album and 50 Cent's Curtis are slated for a Sept. 11th release, creating much fanfare and rivalry in the hip-hop world. In a very shady coincidence, both albums also leaked within hours of each other early last week. Fiddy has claimed that he will retire if Kanye sells more albums, a bet I sincerely wish we got in writing. Rolling Stone had the two appear as their cover story, and while the pieces are well worth the read, I was kind of disappointed to find out that the West/50 rivalry isn't nearly as heated as everyone would like to believe. I kind of enjoyed the image of Kanye holding his hands up in victory as he stands on a crying 50 Cent's body curled up in the fetal position. Maybe he's handing 50 a gold watch to help commemorate his retirement too. I dunno.

Last night my roommate handed me a mix of Okkervil River's stuff. I had heard of them insofar that their the new indie band du jour, but don't know much of their stuff. I'm gonna give it a shot a little later, see if maybe the indie kids got something right this time around.

Till then, I offer you a little taste of what I've been listening to in the last week or so:

Matchbox 20 - How Far We've Come
Kanye West - Stronger
Linkin Park - Shadow of the Day
Velvet Revolver - The Last Fight
Finger Eleven - Paralyzer
Pearl Jam - Daughter (Live at Lollapalooza 07) [The unedited version that caused a shitstorm last month]

That's pretty much it. Back later in the week, probably with more info on the radio show.

==TJ==

Sunday, August 12, 2007

What I listened to this week

What with it being my first week back in civilization, I had quite a bit of catching up to do when it comes to music. I spent an unhealthy amount of quality time with my iPod (whose name is Dash Z. Linkin, if you were curious), and here's a quick rundown of what I was playing:

-Fuel released Angels & Devils, its first album with Toryn Green as lead singer on Tuesday. Green's a decent fit with the band, but in some ways he's almost too good a fit, and his voice gets lost behind Carl Bell's guitars and just becomes part of one big clusterfuck of radio rock. Tracks like "Wasted Time" and "Scars in the Making" show off how well the band can be when everyone's on, but Fuel has always been about its lead singer, whether it's Brett Scallions or Toryn Green, and for too much of Angel's and Devils Green gets washed out by simply serviceable instrumentation
Ruling on the field: 5.5/10
Highlight Reel: "Wasted Time"

-It only took about a week for me to get tired of "Who Knew" by P!nk. It's OK, 'cause that's still 6 days, 23 hours, and 57 minutes longer than it took "Girlfriend". Meanwhile, the new singles from Velvet Revolver and Finger Eleven are incredible.

-I know I'm a month late, but I got around to hearing Smashing Pumpkins' Zeitgeist. It has it's moments, but like everything else Billy Corgan's done, it's just a bit too weird and without direction for my taste.
Ruling on the field: 6/10

-At the suggestion of a friend from over the summer, I picked up the second album from Boston duo The Dresden Dolls, entitled Yes, Virginia. Expecting an hour-long lesson in elitist girl punk a la Courtney Love with a piano, I was very pleasantly surprised. Amanda Palmer's voice is strong, albeit it not very nuanced, but the drummer is absolutely sick in every sense of the word. Think Panic! At the Disco for people who have too many brain cells to deal with P!ATD.
Ruling on the field: 8/10
Highlight Reel: "Backstabber"

Downloading music from my blog makes me feel good about myself, but buying the music is good karma.

Fuel on iTunes
Smashing Pumpkins on iTunes
Dresden Dolls on iTunes

==TJ==