Showing posts with label Secondhand Serenade. Show all posts
Showing posts with label Secondhand Serenade. Show all posts

Wednesday, March 26, 2008

VLM Chews Some Crow

Last week I finally snagged myself a copy of Secondhand Serenade's new album A Twist in my Story. When I first discovered Secondhand Serenade, I was at a point musically where that sort of syrupy acoustic emo was what I was after. The first album cooled off a lot for me once my tastes shifted (as they often do with little warning), but I still regarded the John Vesely (the man behind the band) as someone to watch for awhile. When the new album's first single "Fall For You" dropped, I was initially disappointed. Not so much because there was a full band now, but just because it just didn't have the same weight that the best tracks off of Awake had. Then the title track came out, which was a true disappointment. But I kept hoping that upon hearing the album I'd remember why I loved the band in the first place.

Well...

First things first; A Twist in my Story isn't a terrible album. Musically there are some really good things happening. The full band does add something, and isn't just Vesely's attempt to get his album in the "For Fans of Dashboard Confessional" rack. The new version of Awake track "Maybe" is the best work from Secondhand yet. The biggest problem is sadly in John Vesely's lyrics. They're either too forced, or so badly dripping with sap that they look as though they were ripped from Tom DeLonge's post-Blink playbook. While Dashboard is in the studio, teasing fans with promises of a new album before long, Secondhand Serenade will do, much as they did while those same fans were waiting for The Shade of Poison Trees. But in reality, that's all it is. I'll play this album a couple more times, and then wonder what some other band is doing and go off and ponder that, leaving this back in the corners of my hard drive.

I'm not willing to give up hope on Secondhand Serenade yet...two albums is hardly enough to make that call...but I have a sinking feeling the third one might be the last unless something life-changing happens to John Vesely.

Ruling on the Field: 4.5/10
Highlight Reel: Maybe [iTunes]

==TJ==

==TJ==

Wednesday, February 6, 2008

Singles All Over The Place

So far 2008 hasn't offered much in the way of exciting new music. for the last month or so it's been lots of either garbage or carryovers from 2007. Luckily this week unveiled a great set of stuff to come for the next few months. I already posted "Nine In The Afternoon" by Panic at the Disco (which according to Hype Machine I have the blogworld exclusive on right now...pretty cool). Over the last few days some kickass bands offered new singles for new albums. Before that, some singles from older bands.

Linkin Park announced that "Given Up" will be the fourth single from Minutes to Midnight. Not a great move if you ask me. "Shadow of the Day" is still climbing on the charts (#13 on the CHR/Top 40 this week) and could hit the Top 10 very soon, and "Given Up" was the weakest song off that album. I get that they want to keep their names on the alternative charts, but this song is pretty terrible.

Linkin Park - Given Up
[iTunes]

This week Finger Eleven is sent "I'll Keep Your Memory Vague" to radio stations as their next single after "Falling On" failed to stick around for very long. It's been described as the token ballad from the album, and that's pretty accurate, but it's still better than a lot of other stuf Finger Eleven's put out. Anyone else remember the last ballad Finger Eleven dropped, the emotacular "One Thing"? Yeah, this may not be great and not sure how it'll take with the far superior ballad by Linkin Park doing so well, but a decent song nonetheless.

Finger Eleven - I'll Keep Your Memory Vague [iTunes]

This week was also a hell of a week for new singles. Last month I mentioned Secondhand Serenade's sophomore album A Twist In My Story. The album became available for pre-order on iTunes yesterday, and with it the title track was released. Lead single "Fall For You" hasn't made nearly the impact I thought it might, and until today when a second song had come out, I had forgotten about it. "A Twist In My Story" isn't terribly exciting at first listen either, but I'm hoping that as it gets closer to a release I'll warm up to it. No word on if the title track will be a single. In the meantime, here's "Fall For You"

Secondhand Serenade - Fall For You [iTunes]

Back for his first song since 2003 is rock singer songwriter Gavin DeGraw. "In Love With A Girl" is the first track from his allegedly self-titled sophomore album due out April 1st. Information on the release is spotty, and the only confirmed info is the release date and this single, which hit iTunes yesterday. The song shares a lot in common with his smash hit "I Don't Wanna Be", but is far from a carbon copy. The song still shows off DeGraw's excellent guitars and equally great lyrics, but with a touch more edge than most of Chariot. I've been waiting to hear from Gavin DeGraw for awhile now, and while he may not have changed much in 5 years, he's certainly welcome back the way he has been.

Gavin DeGraw - In Love With A Girl [iTunes]

The Counting Crows were among that chunk of music that Mike Newsham gave me last week, and based on what I heard, I like it. So I was quite excited to hear that last month the band leaked 2 tracks from their forthcoming Saturday Nights & Sunday Mornings album to their website, as well as first single "You Can't Count On Me" to iTunes yesterday. "1492" and "When I Dream of Michelangelo" do a decent job of showing off the two sides of the album (it's a two-disc a la Foo Fighters' In Your Honor with one loud disc and one soft disc), but neither song is particularly amazing. "You Can't Count On Me" is most definitely is single, and looks like it might be big on the AC charts. For me, I don't think anything will top the stuff on August and Everything After, but the new song is still a worthy hit to add to their collection.

Counting Crows - You Can't Count On Me [iTunes]

I think that's it for now. Might be back later to cover the Bonnaroo lineup.

==TJ==

Tuesday, January 8, 2008

Countdown to 5,000 Songs

My Last.fm page says that I have played 4,990 songs since joining. In celebration of the pending song 5000, I am going to play the next 10 songs right now, and depending on how I feel, say a bit about them and/or post an MP3 of them. For the record, I have my iTunes set to shuffle my entire library, and I will not skip any song, no matter how embarrassing it may be. So here we go, this should be fun!

Song 4,991: The Monkees - Daydream Believer [iTunes]
...and I can see we're off to a good start *rolls eyes*. One of those songs that's been played about three bazillion times on your local oldies radio station (see also: "Brown Eyed Girl", "Magic Carpet Ride"). And how can you not love the multiple key changes at the end? Ah...

Song 4,992: Foo Fighters - Never Talking to You Again (Husker Du cover) [Foo on iTunes]
Got this as a B-Side when The Good, The Bad and the Unknown released a bunch of unreleased Foo songs. Always loved acoustic Foo Fighters, and this one sounds just as good as a Foo song as it does anyone else.

Song 4,993: The Beatles - Let it Be (Naked Version) [buy the CD on Amazon]
Almost certainly on my list of the 10 best Beatles songs ever. Don't know if I like the original or the Let it Be...Naked version better, and there are times when I'm not sure I can tell the difference (just as I finished typing that I got to the guitar solo and lo, I could hear a much more stripped down, raw guitar. Advantage: Naked version (for now)). My high school chorus would do this once or twice in class when we had nothing better to do. The last verse seals the deal every time:

And when the night is cloudy, there is still a light that shines on me
Shine on til tomorrow, Let it be
I wake up to the sounds of music, mother Mary calls to me
Speaking words of wisdom, let it be...


Love it. Love it. Love it.

Song 4,994: Jimmy Eat World - Night Drive [iTunes]
One of the better songs off of Futures, an album that I could never really appreciate, especially now that Chase this Light is on constant rotation on my computer. One of Jim Adkins' best lyrical moments on the whole albums, and one of the few instances where the slower, softer Jimmy actually works out well. I think if I ever do the cliche "take a girl up to a hill overlooking a city" bit, I'd want this song playing. Has the right atmosphere, even when it kicks back into full band at the last 90 seconds or so. Its about as good as the most average songs on the new album, which is still pretty damned good.

Song 4,995: Secondhand Serenade - End [iTunes]
This works out rather nicely, since I got a MySpace bulletin from them encouraging to tell one person about them. Since I'm writing a blog that I assume more than one person reads, I think that mission is accomplished. I did a more thorough write up on Secondhand Serenade last week, go check it out.

This brings up one more thing; if you read this thing, leave a comment at some point just to say what's up. It'd be nice to hear some feedback, even if it's a "you're taste in music sucks". Which I doubt it would be since you're reading this and its a blog dedicated to music. As long as I'm on a tangent here, let the record show that I've been typing live, so if there are any screw ups or if some bits seem shorter than others, that's why. The Foo Fighters song was only 2 minutes long, hence it's shortness. This song is nearly 3 minutes of the line "Don't Let Me Down", among others, so its easy to run out of stuff to say. Awesome harmonies though. So yeah check these guys out.

Song 4,996: Creed - My Sacrifice [iTunes]
There was no way I was getting through 10 songs without something potentially embarrassing coming up. But at any rate, be a man and admit it; you liked Creed back when they were popular too, and jumped ship like everyone else when things got sour. The only difference is I still admit to having all three CDs and listening to them once in awhile. The music wasn't terrible (not compared with some of the other garbage that was making money in 2001), people just hate Scott Stapp. And to some degree with reason.

In a related story, Human Clay was apparently #7 on the list of 10 best-selling albums of the SoundScan era. At #1? Shania Twain's Come On Over. Seriously? Shania Twain is at #1, and people are gonna bitch about Creed? There's something wrong with this picture.

Song 4,997: Staind - Outside [iTunes]
The second, less-appreciated single from what was Staind's first widely popular album. Sadly this isn't the live version where Fred Durst kinda mumbles along and then shouts at the crowd during the guitar break.

This is another band that gets a bad rap for being on the radio in the early '00s. Look; if you found out you could write songs, and one or both of your parents treated you like crap, don't you think you would try to get some getback? Cut Aaron Lewis a break. It's not his fault that a bunch of other bands tried to ride his coattails.

(This is getting increasingly difficult as my dad tries to make his new phone work. Missed the last 30 secs of "Outside" and the first minute of the next song. Pausing now to catch up.)

Song 4,998: Eve 6 - Tongue Tied [iTunes]
And we're back on track. Found out two weeks ago that Eve 6 is among the laundry list of bands that chose to reunite. Normally these guys would qualify on the list of bands that didn't deserve a reunion, but Horrorscope (the second album) was one of my favorite CDs in middle school, so I'm gonna let this one slide. Cool song from the first album, the only one I don't have.

Song 4,999: The Animals - House of the Rising Sun [iTunes]
Another frequenter of the oldies radio stations. Every time it comes on my dad feels the need to point out that there's an organ solo, so yeah...there's an organ solo somewhere in this song. The first verse was also the intro to the U2/Green Day song after Hurricane Katrina "The Saints Are Coming". I wanna say its been used in something else worth noting, some movie or something, but I'm blanking. A thousand points to whoever comes up with what I'm thinking of. Not a terrible song, despite being on oldies radio station (sorry folks, after hearing oldies every time I'm in a car with my father, I have a special place in my heart for such things).

And now...here it comes...I want you to know I'm drumrolling in my head right now...




Song 5,000: Maroon 5 - Not Falling Apart [iTunes]
...
...
...
Wow. That was anticlimactic. I think I've only listened to this song maybe once. One of the misses on the hit-and-miss last album. Of all the good songs on the CD, I had to get this pedestrian one? iTunes has failed me. Listening to it now anyway...it's not so terrible that my ears are bleeding, but there's nothing particularly fun about it. It sounds like an average Maroon 5 song. I don't understand why Rolling Stone gave so much love to this CD when Linkin Park and the Foo Fighters put out so much better work this year. It probably has something to do with the fact that Adam Levine looks like equal parts Justin Timberlake and Bruce Banner. Maybe they were afraid of him going Incredible Hulk or something.

So there you have it. 5,000 songs since November 27, 2006. Below I'm posting songs 1,000 and 2,000, just 'cause I have them listed. I'll be back later.

Song 1,000: Eminem - Lose Yourself [iTunes]
Song 2,000: The Killers - Sam's Town [iTunes]


==TJ==

PS: I did this piece as I heard each song, so you basically got 10 Currently Listening's today, so I'll skip a separate one today.

Thursday, January 3, 2008

Secondhand Serenade puts a Twist in their sound

Secondhand Serenade, alias singer/songwriter John Vesely, is releasing a second studio album in February, titled A Twist in My Story. The first single "Fall For You" found its way onto iTunes earlier this week. Unlike Vesely's 2007 debut Awake, "Fall For You" features a full band, but still carries the heart-pouring lyrics and crystal clear harmonies that led Awake to become a hit out of nowhere.

Besides the full band sound, the other clear change rests in the production. For A Twist In My Story Vesely enlisted the help of producers whose previous work included albums by Nine Inch Nails and Angels & Airwaves, a far cry from the solo acoustic work heard in the past. The song itself is on par with some of the best of Awake, and is a clear break from the "baby Dashboard" that was prevalent on Awake. According to Secondhand Serenade's MySpace, other tracks will include a re-recording of Awake track "Maybe" and tracks like the title song that hearken back to the stripped down sound of old.

Ultimately Vesely is promising an album that's out to please fans first and foremost. As someone who shelled out cash for Awake, and am enjoying "Fall For You", count me in when A Twist in My Story drops in February.

In the interest of promoting the band, I'm not posting "Fall For You", but instead I'll give you the original version of "Maybe". You can get "Fall For You" on iTunes here

Secondhand Serenade - Awake [iTunes]
Secondhand Serenade on MySpace

Currently Listening: The Beatles - Wait

==TJ==

Wednesday, September 5, 2007

Some Stuff to Chill Out To...

No, I'm not dead. Just been tied up with work and school and the like.

I've been listening to a lot of really chill, acoustic-y type stuff. And since I'm behind on my reviews I think I'll burn some time talking about what I've been listening to. I don't like doing long reviews unless its something big, so these'll be short.

I think just about everyone has heard Matt Nathanson's version of the early '90s hit "Laid", but for some reason he hasn't had much big-time success elsewhere. A few weeks ago he released Some Mad Hope, his sixth studio release. This album might be his best shot at commercial success, led by tracks like "Come On Get Higher", a track well in the running for makeout song of the year, and the leadoff anthem "Car Crash". But outside of these are smooth, chill pop-rock that his fans have come to love. It's not glitzy and you may not remember every song, but its a great cohesive set of tracks that create a decent album.
Ruling on the Field: 6.5/10
Highlight Reel: Come On Get Higher
Matt Nathanson on iTunes

For the past few months I've had "Life Less Ordinary" and "What About Everything?" by Carbon Leaf on my iPod, and both songs got airplay on the old radio show. I finally got around to hearing the album Indian Summer. It's got a bit more spine to it than Matt Nathanson, and it has the tendency to wreak of Matchbox 20, but no one ever said it was crime to write one hell of a hook. Tracks like "One Prarie Outpost" and the Irish-jig-meets-pop-rock meld of "This is My Song" show far more musicianship and inspiration than most anything Rob Thomas has done recently.
Ruling on the Field: 7/10
Highlight Reel: What About Everything?
Carbon Leaf on iTunes

I've mentioned Secondhand Serenade on this blog in the past, but i never did a real review of them. If Chris Carabba were to overdose on Prozac, it would come out sounding like John Vesely, aka Secondhand Serenade. His debut album Awake is made up entirely of songs he wrote for his wife. He's got all the ingredients of an early Dashboard Confessional, but he's also got an absurd amount of harmony in every song, and has already begun to explore a fuller sound with the bonus track "Stay Close, Don't Go". Secondhand Serenade is for all the people who miss acoustic Dashboard or are tired of hearing about unrequited love.
Ruling on the Field: 9/10
Highlight Reel: Maybe; Stay Close, Don't Go
Secondhand Serenade on iTunes

Dude named Brandon Heath had a concert at Arcadia last year. At the time he was starting to find some radio play in the south, but nothing huge. I wrote him off when he came to campus, but finally snagged a copy of his album last week. It opens with two incredible country-rock songs in "Steady Now" and "Simple Man", and the title track "Don't Get Comfortable" shows what he's capable of, but the rest of the album falls flatter, with fewer memorable songs.
Ruling on the Field: 5/10
Highlight Reel: Steady Now
Brandon Heath on iTunes

Finally, last week Las Vegas singer/songwriter Nick Motil played a set here on campus, and his most recent release One of These Days is another example of what good solo artist albums should sound like; simple, unassuming, and just memorable enough to warrant repeated listens. Nothing pretentious or dull about it (looking at you, Ani Difranco and Jack Johnson).
Ruling on the Field: 7/10
Highlight Reel: One of These Days
Nick Motil on iTunes

That's all for now. More mp3s and info on the pending radio show will come in the next few weeks.

==TJ==

Sunday, April 8, 2007

Face the Day Like You Did Before

I generally try to keep my personal life out of this blog, because it just hasn't seemed appropriate whatwith the LJ and Facebook. But this past week has been one of those weeks where everything gets affected, especially the music. In light of all that's gone (wr)on(g), I offer you a sampling of what I've been listening to these past few days. Downloads to come later for some tracks.

Oasis - Live Forever
Oasis - Stop Crying Your Heart Out
Daniel Powter - Bad Day
Secondhand Serenade - Vulnerable
Snow Patrol - Make This Go On Forever
The Fray - How To Save A Life
Jack's Mannequin - Into The Airwaves
Hinder - Better Than Me
Dashboard Confessional - Standard Lines
Daughtry - Used To
Something Corporate - Forget December
Ronnie Day - Coming Home Soon

There's probably some more, but that covers the bulk of it. One more thing; music brings out a lot of emotions in me, but very few pieces of music can bring me to tears (the ones that can...we don't talk about). Ronnie Day's debut album, aptly titled The Album, came damned close to being one of those. If you can get your hands on The Album, buy it. Till then, check out his myspace, it gives you just as good a glimpse. He's playing Penn's Landing on the 29th with Dashboard and a bunch of others as part of MTVU's concert series...looking into trying to go to this one...

That's all.

==TJ==