¡Viva La Mainstream! Likes Viva La Vida. What A Shock.

(For the record, Blogger effed up the old template so it looked a little ugly, hence the new one. Hoping they fix it/something better comes up soon. Sorry for the otherwise subpar look for the time being)

A couple of people at EMI must really have dreaded coming into work these last couple days. Coldplay's rabidly anticipated fourth album Viva La Vida or Death and All His Friends leaked last night, 13 days before its official June 17th release date. I have a lot to say in this review, but if you don't have time to read the whole thing, know that this album (despite being only 10 tracks) was the meatiest, most interesting album I've listened to all year.

The album opens with "Life in Technicolor", an instrumental track that more or less serves as an overture to the rest of the album, which brings me to my first piece of praise; the instrumentals on this LP are a cut above anything I've heard Coldplay do. I don't know if credit for that goes to Chris Martin, producer Brian Eno, or the band as a whole, but credit is due nonetheless. If EMI wanted to try to double-dip on this album, I think releasing an entirely instrumental version of the album would go over nicely. Coldplay run a musical gamut on Viva La Vida..., from the Justin Timberlake influenced "Lost!" to the Phish-meets-an-ice-cream-truck* "Strawberry Swing", while still making sure fans know that this is still the same band (more or less) with piano nods in "42" and campfire-y acoustic guitars in the closing "Death and All His Friends", which had me singing along only 30 seconds in.

*Yes, I actually wrote that in my notes.

Going back to the instrumentation on the album, I felt like every song would work well on a soundtrack to some movie somewhere. "Lovers In Japan/Reign of Love", one of three 6-minute-plus opuses on the album, between the incredible strings and Chris Martin's subdued vocals could provide background music to any one of a thousand movies and do nothing but enhance the scene.

Now onto the lyrics. Here too there's layer upon layer of meat and subtext to be found, not the least of which in "Viva La Vida". The steady run of Biblical and religious allusions are as interesting to read and look at as they are to hear Chris Martin sing. And across the board the album wonderfully balances themes of life and death, as the album title would suggest (more on that later). I can't even really give an accurate analysis of it, since doing so from memory wouldn't really do it justice. It's that good. Just like his comrades, Chris Martin made a huge leap on this album with both his singing (check out the lower register on "Yes") and his songwriting (the hook and chorus-free "Cemeteries in London").

When Coldplay announced that they were experimenting with their sound on Viva La Vida, the first thing I thought was "Coldplay's going Radiohead". Based on this review, that's not entirely accurate. The sound is distinctly different from Radiohead. But make no mistake; Viva La Vida is to Coldplay what OK Computer was to Radiohead. In making this album, the whole game changes for Coldplay. The Coldplay that made millions off "Clocks" and "Speed of Sound" isn't really here on this album. On Viva La Vida or Death and All His Friends Coldplay finally fill the huge sound they've hinted at on their first three albums. And now that they've filled those shoes, the next logical step is for them to break the hell out of them. When that happens, I'll have some cash set aside so I can be there to hear it.

One more thing; a lot has been made about the album's title. Tons of people think it's absurd. I liked the notion of Viva La Vida from the getgo (maybe because of how close it sounds to the name of this blog), and was willing to accept the extended title, but after hearing the album, I can do one better; the album title makes sense. Depending on how you look at it, Viva La Vida or Death and All His Friends is either a joyful celebration of life and existence or an upbeat transcendental meditation on death and the afterlife (think Black Parade without the suicide controversy). Thus, the album is either Viva La Vida, or the album is Death and All His Friends. Coldplay leaves it up to you. And they said they weren't pulling a Radiohead. Needless to say, EMI shouldn't worry too much about a leak hurting record sales. Coldplay's making sure their label lives to see another album...or at the very least another few weeks out of bankruptcy.

Final Score: 9.5/10
Coldplay - Viva La Vida [iTunes]
Coldplay - Lost! [iTunes]
Pre-order Viva La Vida or Death and All His Friends on iTunes

==TJ==

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