Thursday, May 22, 2008

Top 5: Album Openers

As I mentioned yesterday, I finally saw High Fidelity yesterday when it randomly showed up on cable at a time I could watch it. Admittedly I missed the first 20 minutes or so, but it was still effing brilliant. If you haven't seen the movie, all you need to know for this new series of posts is that while John Cusack and Jack Black sit around their vinyl shop they come up with all kinds of Top 5 lists. In that same spirit, I present the first of Viva La Mainstream's Top 5s. This topic for this one is taken straight from the movie, but my list is way different:

Top 5 Side 1, Track 1s (Or just track 1s, because CDs don't have two sides)

5. Foo Fighters - The Pretender [Echoes, Silence Patience and Grace]
Leave it to me to kick things off with the Foo Fighters. The role of the opening track is to come in firing, give you a track that you'll a) remember, and b) like enough to continue listening to the rest of the album. This is why a lot of albums lead off with the first single. "The Pretender" pulls off both jobs with extraordinary ease and fun. It's openers like this that show off why the Foo Fighters are great, and why Echoes, Silence, Patience and Grace is the best Foo Fighters album to date. Only thing keeping it from being higher is its young age and future potential.

4. Audioslave - Cochise [Audioslave]
Once again, an explosive track that demands inclusion in a list like this. The opening rumble builds an enormous suspense until Tom Morello's guitar riff breaks down the wall. From there it's all Chris Cornell and his raspy scream unmatched by anyone who dares try. And once you hit that final scream in the bridge ("And put the blame on me so you don't feel a thing"), the whole thing is sold. An incredible intro to an incredible album from a band that sadly peaked about a year later.

3. Nirvana - Smells Like Teen Spirit [Nevermind]
The first 9 seconds of this song alone warrant an appearance on this list. Enough has been made of this track that I don't think I really need to justify why it's on here. In fact, I'm sure someone out there is going to comment and tell me that this deserves to be nearer the top. Respectfully disagree; time has not really been kind to Nirvana as far as critics go. Looking back, Nirvana was a really good band, and "Smells Like Teen Spirit" a really great song, but I sincerely doubt it holds up as well as things that have come since it, and certainly doesn't hold a candle to the remaining two songs on this list.

2. The Beatles - Come Together
[Abbey Road]
"Come Together" doesn't really pack the kind of punch that the previous tracks do, but it most certainly begs to be heard again and again. The Beatles took a turn into Eric Clapton territory to start off Abbey Road, and in so doing, started off one of the most memorable (though not necessarily the best) Beatles albums. It's subtle and subdued, and yet utterly arresting. If this song comes up on shuffle, more often than not I end up just letting the whole album play.

1. The Who - Baba O'Riley [Who's Next]
Takes the allure of "Come Together" and matches it with the combined explosive force of the remaining 3 tracks on this list. This song is everything that a opening track should be, and on top of it, it's just a great fucking song all around. This could have been buried near the end of Who's Next and it'd still be worth waiting to hear. The fact that this album is riddled with classics just means that hearing "Baba O'Riley" is a gateway into one of the best albums of the 70s. If I ever get around to my top 100 songs of eternity, you'd look for this at least in the top 20, if not higher.

That's it. Plan for these to happen about once a week, maybe every other week. If you think I'm full of shit on any of these albums, I invite and encourage you to tell me so in the comments, just know I'm going to back up my choice and may tell you you're wrong. Nothing personal, it's just about the music.

==TJ==

1 comment:

Anonymous said...

I totally agree on the Foo Fighters pick, and think that it is one of the best singles from any band, period - in a long time.

It was also brilliantly used in an episode of Californication, right at the precise moment that David Duchovny hits the realization that the love he cared about the most, is gone, over, done. Officially.

The Pretender has been in the background during the scene...and right as he hits emotional rock bottom, the chorus hits.

So powerful. Best use of music in a television episode last year, and in a long time, in my book.