Weekend WTF: Bee Gees Drink Some Powerthirst

That's right, back for a limited engagement this weekend only, it's the return of the Weekend WTF!! This one comes by request from my good friend Ray. Ray went to go see The Aquabats at the Trocadero last week, and opening for the band was a group calling themselves Tragedy. Tragedy bill themselves as "An All Metal Tribute to the Bee Gees". If you're eyebrows are somewhere on the ceiling right now, it's OK. Mine were too. Then Ray showed me some video (note: the video below is not Ray's, as his were posted only to facebook. Hoping he'll youtube them sometime soon, as they were far better quality than this one)



As ridiculous metal covers go, this one's actually pretty damned good. Ray and I were both duly impressed with this one. Below you'll find the band's MySpace and official page. Sadly Tragedy is done touring the US for now, but expect them back sometime in '09, and if you have some cash to spare and don't want to deal with bands who take themselves too seriously, go give Tragedy their due.

Tragedy Official Website
Tragedy on MySpace
Tragedy - Stayin' Alive

==TJ==

Concert Tales: Springsteen on the Parkway, 10/04//08

So I ultimately managed to get hold of a ticket to the free Springsteen show/Obama rally that took place this past weekend. This story isn't just about the concert, it's about events prior to and after, so here's the story of how I spent my Saturday.

For a number of reasons, I didn't get a huge amount of sleep Friday night/Saturday morning. I woke up around 11:30 groggy and still unsure of who's coming to the show with me and if I'm even gonna go (I'm pretty sure I'm gonna drag my ass out of bed for it regardless of whether my compatriates are in). I text Justin, my immediate comrade in planning for the days events to see if this is still game. I unfortunately did not keep the text message he replied, but the first two words read "Hell Yes!" Justin comes to the door and we start to head to the car I realize I don't have my ticket printed. I bolt back to my room to print said ticket, which takes about a million years since I had to boot up my computer. Since SEPTA (Philly transit system) only runs hourly on the weekends and by the time we get to the car its 1:05, we're pretty sure we missed a train. And the gates opened at 2:00, so we're worried about getting halfway decent seating.

Enter: The Music Gods, who woke up on the right side of the bed this morning and chose to smile upon this day. We got to the train station and there were still dozens of people there, for there was also a train arriving at 1:15. For added fun, a guy who was pretty clearly an Obama supporter carrying a stack of the preferred seats for the concert (previously only available to volunteers) walked up to us and offered myself, Justin, Peter, and Megan (my comrades for the day) said preferred tickets, the sole catch being that we promise to vote for Obama. Done and done.

We get on the train, clutching our preferred tickets for dear life. It's right around here that Justin exclaims "Guys, we're going to see Bruce Springsteen!!" for the first of about 176 times that day. A million people get off at Suburban Station, the stop nearest the Ben Franklin Parkway, thus making clear just how big this event is. No matter: we've got preferred seats now. The four of us walk a few blocks to our designated entrance, and after some confusion about where we're supposed to be, we get into the staging area. For a Springsteen concert, the area near the stage was rather sparse. We weren't complaining. We start out about a half dozen rows from the barricade, and then Peter spots a hole much closer, and we set up final camp one row from the barricade. We estimated that we were about 15 feet from the goings-on on stage. The opening acts were OK, but nothing spectacular. Most of the first three rows stopped listening and started screaming as a black SUV pulls up to The Boss's tour bus and the man himself gets out of the SUV and onto the bus.

One last note about the warmup acts: one of the artist's was a local guy by the name of Amos Lee. I don't have any of his stuff yet, but check him out on iTunes here. Dude is worth checking out, and you know how I am about recommending local artists, especially solo singer-songwriters.

Finally, the main event comes to the stage. He legit sounds exactly how he sounds every time I've heard him before...on CD, on TV...he's just that fantastic. He played a pretty short, standard set of his more uplifting tracks, including the one song Justin and I think would make a hell of a campaign song for Obama.

Bruce Springsteen - The Rising [iTunes]
(iTunes is on the fritz, will post legit link tomorrow)

Setlist and video is below

Bruce Springsteen on the Ben Franklin Parkway
Philadelphia, PA 10/04/08

The Promised Land
The Ghost of Tom Joad
Thunder Road
No Surrender
Rosalita (Come Out Tonight)
The Rising
"Yes We Can" Improv/This Land Is Your Land/"Yes We Can"





The day ended with returning to Megan's apartment and watching Empire Records (which I hadn't seen before then) and pillaging each other's music collections. Great success.

==TJ==

Bruce Springsteen Playing For Free In Philly

In one of a number of The Boss's scheduled appearances in support of presidential candidate Barack Obama, Bruce Springsteen will be playing a solo acoustic set on the art museum steps here in Philly (for anyone not from Philly, he's playing on the steps from Rocky) this Saturday...for free.

Let me make sure this has been made perfectly clear...

Bruce Springsteen. In Philadelphia. This Saturday Afternoon. FREE!!!

Tickets are required for the event (wondering how they're gonna make that work...That's on Ben Franklin Parkway, where all the museums and such are...does the city plan to just block off the entire parkway), and can be acquired by going to Obama's website. I put my info in about 15 minutes ago and haven't gotten an email yet, so they might be a bit swamped. Hopefully they aren't sold out already. I'll let you know ASAP as to whether or not I'll actually be seeing BRUUUUUUUUCCCCCCEEEE this weekend.

Bruce Springsteen - Streets of Philadelphia [iTunes]

==TJ==

A Tale of Two Fuck-Ups; Lil Wayne and Stone Temple Pilots at Virgin Festival

So two days without posting means I'm all sorts of behind, so let's just go ahead and get started.

Sunday afternoon at Virgin Festival 2008 saw a fascinating subplot unfold. On the north stage we saw Taking Back Sunday and on the south, Lil Wayne. Having just seen Paramore (as described in the previous post) at the north stage, I decided to rejoin my comrades Matt, Adam and Brian a bit further away from the stage for Taking Back Sunday. I chose to stick around for TBS. Were any other story than the one I'm about to tell to take place, I'd say I made a wrong call.

There's no two ways about it; TBS were outright terrible live. Their albums are at best decent, albeit clearly heavy on production. With no professional mixing board to fall back on, Adam Lazzara was a horrible wreck on stage. The music was weak and the stage performance was hardly compelling enough to keep me interested. But lucky for TBS, at least they showed up.

[Note: The following paragraph is all taken secondhand from my fellow concertgoers and post-show reports]

Lil Wayne was slated to take the south stage at 3:50. By 4:00. he was a no-show. Shortly thereafter members of Weezy's entourage came out and started to attempt to keep the crowd amused. Finally, around 4:30, a full 40 minutes after his scheduled start time, Lil Wayne arrived on stage. Now, for the whole festival the Powers That Be were being pretty strict about set times (they made The Swell Season do their encore from the pit so the roadies could prep the stage for the next act). So in theory Lil Wayne should have only had a 20 minute set as a result of his tardiness. Not so much. Lil Wayne plays the full hour set that he was originally alotted, including a guest appearance by Kanye West and slightly less important appearances by the members of said entourage. Weezy fans loved the whole thing. But the fans of the Black Keys, who were waiting to see their favorite band take the stage...less so. Especially since the Black Keys were on the receiving end of the fiasco, having to cut their set significantly shorter. Keys fans showed their displeasure in the form of middle fingers and "Fuck Lil Wayne" chants. Perhaps not the most effective way to voice displeasure, but it got their point across.

Fast forward about an hour or so, to arguably the most tense point of the festival. In the week prior to the festival video from a Stone Temple Pilots show of Scott Weiland stumbling into the drummer's kit. At long last, we had visual proof that the STP reunion was coming apart at the seams. So as Iggy ended and Matt and I waited at the barricade for STP's set, everyone was on high alert. Matt told me about a show in Colombus that shows why people liked STP to begin with, so there was hope, but it was iffy. 6:20 rolls around and the roadies are still finishing up. A good sign, but I promise to believe nothing till I see Scott Weiland on stage. 6:25. Nothing. Guess the P in STP isn't for "Punctual". 6:30. We might all just be really early for Nine Inch Nails. The crowd gets a bit restless. 6:35. Cheers from front and center as the DeLeo brothers are seen on stage. Still no Weiland. A little before 6:40 Weiland makes it to the stage to thunderous applause. The band proceeds to plow through a brilliant, albeit abbreviated greatest-hits set. The setlist is below.

STP @ Virgin Festival, 8/10/2008
Vasoline
Wicked Garden
Big Bang Baby
Big Empty
Crackerman
Plush
Interstate Love Song
Down
Sex Type Thing
Dead & Bloated
Trippin' On A Hole In A Paper Heart

So all in all the guy that folks were expecting a great performance from gipped all manner of festival-goers, while the guy that everyone was at Defcon 1 over put on a hell of a show.

That's rock and roll for ya.

Stone Temple Pilots - Trippin On A Hole In A Paper Heart [iTunes]

==TJ==

Paramore Turns Me Into A Little Fanboy

Skipping ahead to Sunday as I continue my bloggings on Virgin Festival.

As Shudder to Think left the stage, I made my way to the barricade on the south stage to see my favorite too-good-for-Warped band du jour, Paramore. Surprisingly I made it to about 4 rows from the barricade before the crowd gets too thick to pass. Said crowd was made up primarily of girls between the ages of 15 and 18 who clearly have better music taste than to sit at home and watch Hannah Frickin' Montana on TV*, and guys around my age who:

a) Think Paramore is a surprisingly fun band to listen to, despite being a touch juvenile, or
b) Think Hayley Williams is cute/attractive/hot/whathaveyou

I make no illusions about the fact that I fall into the latter category. The folks around me are dying to catch their first glimpse of Hayley Williams, concerned mostly about what color her hair is this week. With prime standing position, I can see other members of the band in the backstage area as they kill time before their start time. Then, in a stroke of luck and a touch of natural selection (I was the tallest in the immediate vicinity), I catch a glimpse of Williams joining the rest of the band backstage. In true fanboy mode, I shout "OHMYGOD THERE SHE IS!!!" and snap as many pics as I can. Eventually the actual music starts.

The thing I've always found about modern punk bands is that they sound great on their albums...but blow out the ass live. Fall Out Boy, The Used, even My Chemical Romance...all do good stuff in a studio, but in a live setting their at best average, at worst atrocious. The live bonus tracks I've heard from Paramore led me to think otherwise, but I was skeptical, as even live bonus tracks carry some production. In short, Paramore wowed me musically. The energy, the fun, and most of all, the quality of their performance comes through as well live as it does on both albums. Hayley Williams is a terrific performer who can work a crowd as well as people twice her age (for bonus points, she waved at me during the opener**). Paramore's set was mostly tracks from the newly platinum-certified Riot!, but as a bone to older fans, "Pressure" and "Here We Go Again" from their debut also popped up. I was hoping they'd play "Emergency", but due to the tween-friendly audience and the PG-13 nature of the song (it's about an abusive relationship), I see why it was passed over.

Paramore - Born For This [iTunes]

My only gripe about the show was as follows; look, I get the appeal of crowdsurfing. It's fun and it shows your enthusiasm. But there's a time and a place for it. The ballad is neither. To good music fans everywhere; pick your moments to crowdsurf wisely. You kill the mood otherwise.

I could go on and on about Paramore and Hayley Williams for pages (and I wouldn't really mind), but I think you get the picture. Paramore is winding down their tour soon and after that they're going in to record their third LP, but if you live in a city where they're slated to play, you'd do right to check them out.

Pics and a setlist are below.

Paramore @ Virgin Music Festival, 8/10/2008
Born For This
That's What You Get
Here We Go Again
Fences
Crushcrushcrush
Let the Flames Begin
When It Rains
Pressure
For A Pessimist, I'm Pretty Optimistic
Misery Business

Hayley is the one backstage with the striped shirt.

Hayley Williams radiates awesome.

==TJ==

*If I ever mention Hannah Montana here again, you all have the right to throw something at me.
**I'm about 95% sure she really did wave at me. And don't crush my dreams by saying she probably didn't. That'd just be mean.

Foo Fighters Show The Folks at Virgin Fest What's What

Let's all be real here. The Foo Fighters were the big money prize for me at Virgin Festival. Nothing short of getting shot in the kidney could've kept me from seeing the Foo Fighters, and seeing them as up close as humanly possible. I managed to get about a dozen rows from the barricade before the mass of people got too much to handle, but it was a prime spot nonetheless (to the guy that was next to me in the "Maryland Fucking Terrapins" T-Shirt; rock on, dude.)

The Foos took the stage a fashionable 5-10 minutes late, mostly due to roadies taking one last check of the stage (compared to other bands later in the fest, the Foos were actually quite punctual). The set was more or less a slightly abbreviated version of what they've been doing on the recent tour, with an acoustic set sandwiched between huge rock and roll openings and closers. The band played their first five tracks, an epic collection of their hits from this decade nonstop, with Taylor Hawkins counting off the next track as the final chords rang out. Needless to say the energy was ridiculously high, and despite a voice that was still recovering from the strains of a long tour, Dave Grohl kept up with the fans, even challenging the crowd to tell him when to call it a night.

The acoustic set, a new tradition picked up from 2006's Afoostic tour, was a bit shorter than usual, including new mainstays "Skin and Bones" and the Nirvana B-Side "Marigold", but left out stuff from the "Not So Loud" disc of In Your Honor and other favorites. If there's any bummer from the evening, it's the lack of "Big Me". Listen to the Skin and Bones live version below and you'll see what I mean.

Foo Fighters - Big Me (Live) [iTunes]

Dave Grohl showed why he's the most likable guy in rock and roll as he introduced the band, between the (apparently abbreviated, I'm told) stage banter between he and Taylor Hawkins and the introduction of the rest of the band, right down to threatening to take away touring percussionist Drew "playing all the stuff you did in 3rd grade" Hester's cell phone if he didn't give the crowd "a fucking triangle solo". Hester obliged. But everyone knew Dave Grohl was a classy guy. The true surprise came from Oliver Taylor Hawkins, between the incomprehensibly epic drum solo during "Stacked Actors", during which the rest of the band went to get a drink, singing lead vocals on my personal favorite "Cold Day In The Sun" and the aforementioned stage banter, all I can say is Oliver Taylor Hawkins (the crowd started chanting Oliver when we found out that was his real name) FTMF'NW*.



*For The Mother F'N Win



The surprises came in the closing tracks. For as long as I've known, the Foos have used "Everlong" to close out a show. Not so much here. "Everlong" closed out, and up came the lights and sounds for "Monkey Wrench", a track I didn't think got played much anymore. The evening of brilliant, balls-out rock and roll came an end as Dave Grohl asked the crowd, "You're not done yet? Don't you people have work tomorrow? No? How about church? Yeah, don't lie now...", then proceeding to scream the opener to "Best Of You" to thunderous cheers.

I've only mentioned a handful of great moments from this 105-minute set. Everything you could want from a rock and roll show, the Foo Fighters gave generously. I've waited nearly a year and a half to see the Foos live, and now that I have, I just hope its not another year and a half before they come around again.

A set list and pictures are below. Props to JCardinal18 for the pics.

The Foo Fighters @ Virgin Festival August 9th, 2008
The Pretender
Times Like These
No Way Back
Cheer Up Boys, Your Makeup Is Running
Young Man's Blues (Who cover)
Long Road To Ruin
Breakout
Stacked Actors [massive drum solo by Taylor Hawkins]

=acoustic set=
Skin and Bones
Marigold [Nirvana B-Side]
My Hero
=end acoustic=

Cold Day In The Sun [as sung by Hawkins]
Everlong
Monkey Wrench
All My Life
Best Of You




==TJ==

The Swell Season at Virgin Festival

This weekend was the much-anticipated (for me, anyways) Virgin Mobile Festival at the Pimlico Racetrack in Baltimore. The 31-band festival featured everyone ranging from the Foo Fighters to Lil' Wayne to Bob Dylan. I'm gonna take a cue from my comrade Matt over at Addicted to Vinyl and just try to cover one band at a time (I highly encourage you to go check out Matt's thoughts on the festival...but please do so after reading my own).

First on my docket of bands to blog about from this weekend is The Swell Season. The Swell Season is in fact the duo of Glen Hansard and Marketa Irglova, stars of the movie Once. If you've never seen once, go out and rent it. On my list of movies with musical themes and whatnot, it's only slightly below High Fidelity. Trust me, it's brilliant. The Swell Season were definitely one of the lower maintenance acts of the festival; Glen Hansard did his own soundcheck, complete with the old, wrecked guitar he's had since God knows when (pretty sure it's also the same one from the movie), and when he introduced Marketa Irglova they had to delay the show to get one last piece of equipment. I've never seen an audience for a singer-songwriter duo quite so pumped (previous audiences for Cat Power and KT Tunstall were far more subdued).

The Swell Season stuck primarily to tracks from the movie and/or soundtrack to Once, making a point to play favorites like "When Your Mind's Made Up" and "Lies", and of course the song that Glen described as the child they're oh-so proud of, the Oscar-winning "Falling Slowly". Further proving they don't really take themselves to seriously Hansard joked with the crowd, saying that "all I knew of Baltimore before coming here came from 'The Wire', so I was pretty scared. We got lost on the way here and I think we drove onto the set.". And in a moment amusing to everyone in the audience and on stage, Glen asked the intrusive camera guy if he could "just fuck off a bit". Well, everyone except the camera guy was amused at least.

The Swell Season - Falling Slowly [iTunes]

After their official set came to a close, the audience (myself included) called for one more song, so Glen and Marketa came back out, jumped down into the pit, and played one last unplugged, singalong track to everyone's enjoyment. Across the board The Swell Season played one of the more enjoyable sets of Saturday afternoon. Pictures are below. Anyone who was there and took notes on the setlist can feel free to post it.




You can check out the rest of my pics at my flickr site. I'll be adding stuff that other people posted to that set as I get time to, but right now all you see is what I posted.

==TJ==

Coldplay Hook Themselves up to the Rejuvenation Machine

So based on the stats I get on web traffic here and the number of comments both on-blog and via email, I think it's safe to say that my most recent post regarding Chris Cornell and Timbaland (the one with the mp3s), is the most popular entry on ¡VLM! since it's creation. Combined the tracks have been downloaded nearly 1800 times, and to my knowledge it's been linked to by:

NY Magazine's Right-Click
Stereogum
The Official Foo Fighters Forum (in their section on non-Foo related stuff)

And a number of other blogs and such (my tracker only goes back about a week). So to everyone who's linked to that page, and are reading this now in one form or other, welcome!

So, I decided not to post Day 2 of Virgin Music Fest, primarily 'cause I'm gonna wait and see what the other guys I'm going with (among them Matt from Addicted to Vinyl...don't know if I mentioned that) are seeing and might suggest/insist I see. So there's that. But I am gonna post something else that's kind of awesome. Coldplay came through Philadelphia last week, and their tour has been getting press for all kinds of reason good and bad. THe two biggest stories have had to do with the two free shows they put on, one in Brixton in their homeland across the pond, and one in New York City. I am happy to report that below is a link to hear the complete Brixton show from earlier this summer.

If you're knowledge of Coldplay's live show consists primarily of their Live 2003 album, I highly reccomend this so you can clear that from your system. The stuff on Live sounded kinda tired and worn out, most likely because they'd played "Clocks" and "Yellow" about as many times as we had heard it on the radio, so thus both parties were sick of the tracks. Across the board Coldplay sound rejuvenated in this Brixton show. Chris Martin is genuinely joking and laughing with both the audience (who are thrilled to be seeing Britain's new darlings for free) and the rest of his band. The new songs sound as brilliant as they do on the record, and even the classics have a new breath of fresh air about them, like seeing an old friend for the first time since moving out of town. My only complaint is the lack of Viva La Vida ender "Death And All His Friends", which i think would make one hell of a way to end a show. Regardless, if you have or are going to see Coldplay in the near future, I encourage you to give this set a listen. I have three preview tracks posted and the zip file is at the end. I will post individual tracks upon request.

Coldplay Live At Brixton June 16th, 2008
Intro
Life in Technicolor
Violet Hill
Clocks
In My Place
Viva La Vida
Chinese Sleep Chant
God Put A Smile Upon Your Face
42
Square One
Trouble
Lost!
Strawberry Swing
Interlude
Yellow
If I Should Fall From Grace With God [Pogues Cover w/ Will Champion on vocals]
Fix You
Lovers in Japan

Complete Concert Here [via Mediafire].

==TJ==

Virgin Music Festival: Day One

Exactly one week from today I'm going to be in Baltimore, taking in copious amounts of sun and awesome music at the Virgin Music Festival. My blogging comrade Matt from Addicted to Vinyl procured an extra set of tickets, so I'll be joining him and his friends down there for a weekend of kickassitude. The schedule of events went up a couple days ago, so I've begun filling my dance card of what I'm gonna be seeing for the two days. Today I'll be sharing with you Saturday's lineup, while tomorrow I'll bring you Sunday's. Keep in mind both lists are subject to when I get into Baltimore and what time I have to go to make it back to Philly in time, but you'll get the picture. For the record I'm more or less ignoring the Dance Tent, since I don't particularly care about anyone who'll be there.

KT Tunstall vs. Cat Power
My knowledge of Cat Power begins with the songs from V for Vendetta and ends with the fact that indie blogs love her. I’ve actually heard KT Tunstall’s earlier stuff and am lukewarm on it, but I think a live show is a good start to see what the big deal is
Advantage: Slight edge to KT Tunstall, though someone with a good argument otherwise is welcome to dissuade me.

Duffy v. Gogol Bordello

Duffy’s album is still growing on me, while Gogol Bordello has yet to truly amaze me. It’s kinda cool, but perhaps just a bit too weird for my liking.

Advantage: Duffy

The Swell Season vs. Lupe Fiasco

I picked up both Lupe Fiasco albums for the sole purpose of knowing he’d be at this concert. I’m still playing “Superstar” pretty regularly despite it’s age. I hadn’t heard of The Swell Season, but upon further review, it appears to be Glen Hansard and Marketa Irglova from Once. I think my vote might be changing here

Advantage: Right now? Push. I’m probably going to decide this one when I get there. I think Lupe might be a fun show, but if The Swell Season are indeed the folks from Once, this could get messy.

Sharon Jones and the Dap-Kings vs. Bloc Party

What I hear of Bloc Party is kinda cool, but I’ve never been inspired to listen to a full album. But given that I’ve never heard of Sharon Jones and the Dap-Kings before, I think this one’s set. The Dap-Kings stuff I’m hearing on the iTunes previews reminds me too much of Duffy, too.

Advantage: Bloc Party

Rodrigo y Gabriela vs. The Offspring

And here we have another dilemma. Offspring have immediate name and song recognition in their favor. But odds are they’ll be playing stuff from the new album, which is not such a good pick. I like what I hear from Rodrigo y Gabriela, and it sounds like it’d be a definite change of pace from the current look of my lineup. Since I’ll be seeing some decent punk rock on Sunday, I may well take a pass on Offspring if I get a good word on Rodrigo y Gabriela

Advantage: For now I’m gonna stick with the Offspring, but that’s in no way a definite.

Wilco vs. Chuck Berry & The Silver Beats

Wilco is supposed to be pretty good, but since my former roommate would never stop singing their praises (and I hated my former roommate’s taste in music), they’re losing points here. Plus, it’s friggin’ Chuck Berry. Passing on this is like saying I’m planning to see Stone Temple Pilots over Bob Dylan…wait…oops.

Advantage: Probably Chuck Berry

Foo Fighters vs. Jack Johnson

Oh, come on. Are you seriously asking this?

Advantage: I’m gonna go ahead and surprise everyone here and say Foo Fighters.

Playing Catch-Up Part II

One thing I forgot to mention in the last post:

After attending Arcadia's Woodstock Concert (yeah, I know its unoriginal...give it a rest people), I can safely say that the members of Head Automatica, up to and including their lead singer, are all friggin' dipshits. A couple of friends of mine were liaisons for the band in the green room before they went on, and apparently they had this delusion that they were somehow still a legitimate punk band and could complain about the food provided them. Someone forgot to tell them that hardcore punk stopped being cool shortly after they put out their last album. When they finally got on stage, the lead singer (I'm too lazy to look up his name) kept making those smartass "this is kinda cool...I guess" comments about playing in a school gym at 5 in the afternoon on a pretty nice day (note that a thunderstorm the night before made the ground too wet to safely put up a stage on the soccer field, hence it was indoors). I would estimate that the band talked about as much as they played in their 65-minute set, prompting me on at least one occasion to shout wholeheartedly, if not a bit cliched "SHUT UP AND PLAY".

That, and the band's music is at best average. But of course people liked it anyway, since Head Automatica is pretty much the biggest name Arcadia's gotten in a few years. Regardless, mark me down as wholly unimpressed. Quick Step John opened, and were as amazing as I remembered seeing them in the past (check my piece on them here). Didn't get to see the other two bands on account of a show of my own in the theatre.

Quick Step John - Up On A Satellite [iTunes]

More fun in a bit, once I think of it.

==TJ==